Dome Keeper

Dome Keeper is a small and solid game, but didn’t offer enough variety in runs to keep me hooked.

Author’s Note: Not big on reading writeups? Why not just watch me play the game here?

Dome Keeper is a score-attack mashup of Motherload and Space Invaders. I think it’s a good game. I don’t really recommend it, for reasons I’ll get into in a moment. I know that sounds weird, calling a game good, and then not recommending it, but I promise it will make sense in a bit.

Anyway, back to Dome Keeper. You have a Dome, which functions as your little base, and venture out from it into the earth to mine minerals. And this dome as needs to be Kept. Specifically it needs to be kept from being shattered into a million pieces by various spooky shadow monsters that show up in waves on timed intervals. This is the games core tension: mine resources, drag them back to your dome, and try not to get caught at the bottom of the mineshaft right as you as the next wave comes in to smash it.

Defending the dome is done with it’s weapon systems. There are two dome weapon base sets, the Laser Dome, and the Sword Dome. The Laser dome plays somewhat like a turret defense game, you have a big laser, you can rotate it alongside the outside of your dome, and you press another button to fire. The laser moves slower when fired, so it’s faster to move it into position, and then fire the beam. It has various upgrades, including moving the laser head faster, having the laser deal more damage, etc. Honestly, outside of a double laser upgrade, there’s not too much here that’s very exciting.

The Sword Dome is unlocked later. Instead of having a projectile weapon, it has a large sword that can be swung back and forth across the dome. It can also be launched like a harpoon to skewer long ranged projectile using enemies, or even to just tap melee enemies a bit before they reach the dome.

Personally, I very much think the game was designed with the sword dome in mind instead of the laser dome. My reason for believing this is that certain enemy behaviors and patterns interact in a much more interesting way with the dome then with the laser. As an example, one of the earlier enemies is a small bat like creature that does the following: It flies on the screen cloaked and unable to be hit, flies to an area on either the left or right of the screen, uncloaks, shoots a few projectiles, then recloaks and flies to the other side. Rinse repeat.

With the Sword Dome, there’s an element of skill to this. It takes the same amount of time to uncloak every time, and it can be one shot after just one damage upgrade, so there’s a sort of elegance to predicting where it’s going to be, pre-launching the sword, and steering it into the bat right as it uncloaks.

Another good example can be seen in the later game enemy, the launcher. It’s a large blobby snake that swarms out of the ground, waits for a moment, and then launches a large shadow projectile through the air. With the laser, there’s no real option other then to just blast it down, but hitting it with the sword before it launches the projectile will stagger it and force it back down into the ground.

However, both of these have the same problem, that sort of feeds into the back of the game: Despite having multiple options for upgrades and changes, there’s no real reason to experiment on any given run. Enemies just show up randomly over time, so instead of building for a certain encounter or fight, it felt better to just do the same build each game, and play through. The end result? The fights kind of just feel all the same. Ramping intensity and difficulty, sure, but not changing how things feel mechanically between runs, unless you choose to take a risk and force it.

That’s only half the game though. The other entire half is mining and digging for resources from under the dome. If you’ve ever played Motherlode, this will feel somewhat familiar. If you haven’t it works like this. The keeper is controlled with cardinal directions and will automatically mine walls/blocks if they’re pushed into them. Different dirt has different strengths, but as you get deeper, the strength just increases overall. This means that it can be easier to mine deeper into weak dirt, then to try to dig out stone at your current level, but generally you’ll need to get upgrades to go much further.

The goal of all of this digging is to get resources, of which there are three. Sulphur, Water, and Iron. Sulphur is used to repair your domes health, and buy a single set of special resistance upgrades, and is the rarest. Water is used in small amounts for most non-primary upgrades, IE, anything that isn’t your shield, weapon, or keeper suit. Iron is used for pretty much everything else.

One thing I haven’t talked about yet is the win condition of Dome Keeper. There are two modes, the primary mode, Relic Hunt, and the secondary Prestige. Relic Hunt is just a standard “Dig deep, find a special relic, and bring it to the surface to win”. Prestige is the primary mode, and effectively a score attack mode.

I’m personally of the opinion that Relic Hunt is effectively an extended tutorial/relaxed mode, and Prestige is intended to be the primary game. Which is a bit unfortunate, because I’m personally not interested in prestige very much. High scores are not particularly motivating to me as a factor, unless the entire game is designed around that as a core component, ala Hazelnut Hex.

In Prestige Mode, you get points based on spending resources to increase a score multiplier, and a score total, and you get points after each survived wave. So it’s beneficial to spend resources early on increasing the score, at the risk of not spending those resources on upgrades. It is a interesting tension, but it’s not one that I’m very compelled by.

There are a few systems I’ve not covered here, like the semi-random relics and the upgrades they offer, but I think I’ve covered enough of Dome Keepers system to explain my problem with it.

Dome Keeper is a good game, but any single run can often feel indistinguishable from another run. There’s only a single unique relic that modifies combat, with every other relic modifying resource acquisition. The end result is a game that felt the same each time I played it. It was interesting, but it wasn’t fascinating, or ever really felt like it scratched the itch of something like Inscryption or Spelunky. It never really forced me into a situation where I had to really rely on an understand of game mechanics, or systems to pilot my way out. Instead, it was just more about “Oh, I should have just done X instead of Y”. There was no adapting, just learning, and some small improvements.

This is why I don’t really feel like recommending it. It’s good! It’s well made, it’s polished, and it has some clever mechanics. But I don’t get that vibe of it being a unique or super rich experience that stuck with me.

Anyway, if you think my opinion is stupid, or you really like games like Motherlode, you can find Dome Keeper on Steam for $20.

Author Note 2: I played most of my 20 hours of Dome Keeper before the update that added a second playable character, with a different mining style. It’s a neat update, but I didn’t really like playing the Accessor. It’s also entirely possible that Dome Keeper becomes a much richer games with updates, but that’s not what was available when I bought the game on release day.

Rubber Bandits

Rubber Bandits’ one good game mode, Heist, can’t carry the weight of the other seven.

I don’t like Rubber Bandits very much. I don’t recommend it. Before I get into reviewing Rubber Bandits, though, I want to talk about party games in general a bit. I’ve written about this here, but I’ll go into some more detail on why I do not trust the party game genre.

Doing virtually anything with friends can be a good time, or at least a good memory, assuming everyone makes it out unharmed. I spent a lot of time in college playing Magic, and I remember it somewhat fondly. I also remember the time I convinced folks to follow my example and run a lap outside around an area near our dorm with almost no clothes on and no shoes after a winter storm.

While freezing my feet off wasn’t the best idea I’ve ever had, it was definitely memorable. Playing around and doing ridiculous things is just like that. The value isn’t from doing dumb shit, it’s from doing dumb shit with friends. Something can be dumb, questionably made, and only mildly amusing and still be a good time.

Which brings me to Rubber Bandits.

Rubber Bandits is an up-to-4 player party game, with 8 competitive game modes, and 1 cooperative arcade mode. The game modes all share the same controls. You can jump, you can move with WASD or the controller, you can pick items up, throw them, and “use” them. The use function varies from item to item. Using a grenade pulls the pin, using a pistol shoots the gun, and using a chair beats someone over the head with it (just like in real life).

I have two important notes about these controls. First, characters control in a sort of wibbly wobbly way. I’ve had weapons I’ve picked up seemingly clip behind my character making them impossible to swing. There’s a jello-like feel to movement. Second, the game has a VERY heavy auto-aim system for projectile weapons. If you roughly point at another player and try to shoot them, you will likely hit. Not because you lined it up well, but because the auto-aim just works like that.

The result is a “combat system” that is fairly unsatisfying to actually fight with. Long range attacks are almost automatic hits, and short range attacks are a wobbly unfortunate melee. I’m not saying that a system of weird and wonky controls can’t be fun, but it doesn’t work here because the combat is so unwieldy. Now that we’ve covered controls, let’s talk about game modes.

First, you have the “Just Beat People Up” ones. These are Brawl, Team Brawl, Dodge Bomb and Snack Panic, and Carnage. Then you have Pork Pursuit (Hold the object) and Bomb Panic (Don’t be left holding the object). Finally, you have Heist and the co-operative game mode. The co-operative game mode isn’t very fun or interesting. It’s effectively just a reskinned version of the Heist game mode with extra NPC’s. Points are awarded after each round, and the first player to 21 points is the winner. Scoring is a bit weird, but I believe it’s 5 for a win, 3 for second place, 1 for third, and none for fourth.

Of these game modes, Heist is the only one that does something I haven’t seen before. If you’ve played Mario Party, Pummel Party, or honestly any mini-game based party game, you’ve already played something similar.

Heist is the only game mode with any sort of interesting tension. All players are dropped into the map. The map has a set of valuables to steal, and an exit. The exit only opens once all valuables are picked up. The goal is to get as much loot as you can, and then escape.

It’s a fun idea. Heist is the best Rubber Bandits gets. Most of the maps have some sort of switch or activatable object that changes up the play area. Grabbing all the money and running usually doesn’t work, because another player will just drop the floor out from under you. So even once you get the cash, you need to incapacitate your fellow players long enough to make your escape.

Even at its, best, though, it doesn’t always work. Some maps only have a single gem instead of multiple pieces of loot, so only one player gets any points. Some maps are just kind of janky and unfun to play, like the map where almost everything is dark. Other maps have the start of a good idea (the map where you need to mine down with pickaxes) but don’t really execute on it.

I’ve already made it clear I don’t recommend this game. Now I want to quickly run across the border from the land of opinion into the unoccupied territory of speculation. So if you want, you can stop reading this article here. Rubber Bandits is $5 for a copy, and it’s available on PC and Console.

The Land of Blatant Speculation

Anyway, now that we’re safely located in speculation, I want to share a theory I have about Rubber Bandits and how it ended up this way. There are a lot of little things that to me suggest Rubber Bandits was developed as a different experience, and that the 7 game modes that suck were sort of tacked on after the fact to fill space.

The first one is the camera. Rubber Bandits uses a locked camera that keeps all players in frame, instead of just focusing on your character. This would be fine for couch co-op or versus, but in internet multiplayer it’s pretty awful. In addition, because the camera has to always keep everyone in frame, it cuts down on a lot of the design space available for creating maps. Everything always has to face the player, there’s virtually no space to hide behind anything, and maps are a sort of “3D but only in one direction” affair.

This brings me to the second point about the game and Heist. When I was reading Steam reviews to find justification for my own opinions about the game for investigative purposes, one review stood out. Actually, it was one genre of reviews: a group of players who enjoyed an earlier demo the game had, but were disappointed by the full product. From what I could glean, that demo only offered Heist, but also offered an alternative scoring system. Remember when I mentioned different placements give amounts of points? Well, in the demo, apparently points were awarded based on how much money you escaped with, not your placement. To me, that feels like it would shift things up quite a bit in terms of both where the player pressure is, and where the player reward is.

I don’t have any evidence for this theory, but given the game’s whole theme around stealing money, jailbreaking, and robbery, it all makes me feel like Heist was a primary game mode. But then Heist got sidelined when the other modes were added. If that’s the case, I think it’s a bit of a bummer. Heist isn’t some world shaking innovation, but at least it’s interesting and different. Every other game mode available is something I’ve played before in a different game, and burying Heist under all the crap is just unfortunate.

Neon White

Neon White is a FPS Puzzle Platformer with fantastic guns and incredible movement. I’d mention the story, but I want you to want to play it.

Neon White by Angel Matrix is a puzzle platformer FPS with some lite visual novel elements, and it’s brilliant. And while it might sound like a sort of game salad of multiple genres, that’s purely because I’m bad at describing things. The key point here is that I like it.

I think the easiest way to explain Neon White is to describe what a level looks like. So let’s start with that. You maneuver using traditional FPS controls around a stylized environment, and you have two goals to complete the level: kill all the demons, and reach the end. However, these aren’t Doom-style demons. These are more like… potted plants. They’re all immobile, and while they shoot projectiles, they’re not hard to dodge. They act as obstacles more than enemies, and each enemy type drops a different gun.

Oh, we haven’t talked about guns yet, have we? Guns reset between levels, and are represented as cards. You can carry two types of guns at once, and 3 copies of a particular gun/card (I’ll explain in a moment). Guns are dual purpose. You can shoot with them, and you can also throw away a copy to use a special movement ability. The shotgun lets you do a dash. The pistol has a double jump. The rocket launcher is also a grappling hook, making it one of the greatest weapons in any game. And if that sounds like I’m ripping off Zero Punctuation… well. Not deliberately. It’s just a fantastic weapon that’s incredibly fun to use.

Dear god I love this rocket launcher so much.

These are the core ingredients of Neon White, but the one thing I haven’t mentioned is that everything is timed. Not in a “countdown” sort of way, but a speedrun timer ticking up. In order to unlock more levels, you need to clear a set of levels from the current pool with a gold rank or higher.

While this might sound intimidating, the timing for getting gold medals is very generous. The same is true of the crystal rank medal, and it isn’t until you go for the secret red clear times (which don’t even show up until you beat them) that things get really challenging.

And while we’re talking about gold medals and clear times, we may as well talk about Neon White’s story. The short version is that you’re an assassin in the afterlife called in to hunt down demons for a chance at redemption. And while the story gets interesting in the last 25% of the game, much of what precedes that moment feels a bit cringey. Not bad, but I heard someone describe it as an independent webcomic from the early 2000’s, and I’d say that sounds about right.

This would be a great place to include a picture of story content. I’m not going to do that because I want you to buy this game.

Outside of the story, pretty much everything in Neon White is perfect. I saw almost no bugs in my playtime, and even the boss levels worked well. The game does a fantastic job with its progression and introducing new weapons and concepts as it goes. That said, it’s not a massive any means. A lot of the value comes from replaying levels multiple times for better clear times, and hunting for shortcuts and skips within those levels.

There is one more thing I want to talk about before I wrap this up, and that’s writing this article. This is version 7 or so of my Neon White writeup. Not “draft 7.” I have written and thrown away 6 earlier versions of this, because Neon White isn’t a super easy game to describe in a compelling manner.

So if you’re not convinced, I suggest watching either Zero Punctuation’s video on the game, or maybe Dunkey’s? I think they both do a better job of selling the game in certain aspects, and it deserves better than my somewhat poor writeup. But I legitimately can’t describe this game well. I’ve tried, failed, and now I’m going to write about other games, without this draft glaring at me judgingly while I write about something else for the eighth week in a row.

If you were convinced by this writeup, then, uh. Wow. You can get Neon White on Steam or Switch. It’s $25, and it’s a good use of that money.

Cult of the Lamb

Cult of the Lamb isn’t a bad game, but it doesn’t commit to any of its single mechanics adequately to be an excellent game. The only area where it makes any real innovation is in combining the various gameplay loops that it consists of. But perhaps as a result of that synthesis, none of those loops felt very deep. As such, I didn’t personally enjoy it, and I don’t recommend it.

Let’s back up for a moment, so I can catch my breath from outrunning the screaming mobs. The game is getting a lot of good press and attention right now, and I suspect my opinion is going to be somewhat unpopular. Still, before you crucify me, let me explain myself.

Cult of the Lamb presents itself as a combination of a management sim and action roguelike. You play as the Lamb, resurrected from a sacrificial death by an elder god-like figure, The One Who Waits. Upon being returned to life, you are entrusted with two goals. To build a cult in his name, and to slay the four bishops who trapped him.

I’ll cover the slaying first. The action roguelike portion of the game follows the somewhat standard roguelite formula. Upon beginning a run (or crusade, as the game likes to call them), you’re dropped into a level and given a starting weapon and a curse. There are four or so base weapon types, each with varying speed and attacks.

The dagger is the fastest, but with low damage, while the hammer is the slowest, actually having a sort of windup before it swings. The sword and the axe sit in the middle. There are more variants applied to each of the base weapon types, but they don’t really change how the weapons play, just how much damage they do. Curses are just spells. You spend fervor to use them and they have some sort of damaging effect. You get fervor by killing and hitting enemies.

The system is pretty light on builds, so runs don’t feel that different. You can’t force weapon spawns to show up, and despite the variants, each variant feels the same as the base. For example, the poison dagger and the godly dagger don’t feel different to use, even if the second has much more damage.

Anyway, back to crusade mechanics. The goal of a run is to reach the end of the zone, which looks something like the map below. Along the way you’ll gather various resources and crafting ingredients.

While this might look a little intimidating at first, there are usually only 2-3 combat areas in a run. The rest are actually resource nodes, shops, or other small events.

Upon reaching the final area of a zone, one of two things will happen. One, you’ll face off against a mini-boss for a bit more loot and a recruitable. Or two, if you’ve already defeated the zone 3 times, you’ll face off against the zone’s boss: one of the four Bishops of the Old Faith.

I played the game on medium difficultly, and I’d say that none of the fights are particularly challenging. Only one boss fight in the game took me multiple attempts.

If you win the fight, you’ll get some bonus resources, and if you lose, you’ll lose some of what you’ve collected. Either way you’ll be sent back to your cult after. This is the management sim portion of the game. You can construct buildings with resources you’ve gathered. But you make the the most important building during the game’s intro: the shrine. The shrine is used to gather devotion.

Devotion serves the role that something like “Science points” would in another game. It’s used to unlock additional buildings and structures from your primary tech tree. The other resources you have to keep an eye on are the food and faith meters. While individual cultists have their own stats, these meters provide a sort of aggregate overview of the status of your cult. Keep your cultists fed, or they’ll start to starve, and get unhappy. Keep them loyal, or they’ll… I actually don’t know what happens to be honest. I never had any loyalty problems.

This might have been because the only time someone wasn’t loyal, I sacrificed them to be ritually devoured by tentacles.

Speaking of, rituals! Another building you unlock early on is the Church, where you can perform rituals and announce doctrines for your followers to obey. In theory, it’s kind of a neat idea. In practice, I never once ran out of the resource needed to perform rituals, so I pretty much just performed them whenever they were off cooldown. For some rituals the cooldown was several in-game days long.

The timing system itself is probably worth noting. Time passes the same regardless of if you’re at your cult, or on a crusade. And cultists can’t make their own food. So it’s somewhat necessary to either set things up so that they won’t starve while you’re away, or to try to minimize the time spent on your crusades.

This is as good a moment as any to talk about the cultists themselves.

While each individual cultist does have some of their own traits, they don’t offer much variety. I only ever saw cultists with a maximum of three traits, and most of them have fairly minimal gameplay impacts; things like “15% faster/slower gathering speed.”

The end result is that I never really felt incentivized to get attached to anyone, or to assign any specific cultist a specific task. The benefits to doing so were pretty much non-existent.

It doesn’t help that there are a bunch of other mechanics that discourage you from getting attached. Cultists can die of old age, which encourages constantly acquiring new members. But cultist death makes it feel bad to use gifts or invest any significant effort into leveling up a single member. There’s also a portion of the game where several of your cultists will be randomly selected to turn against you, and you’re forced to kill them. You can also unlock the ability to sacrifice members for various reasons, including to resurrect yourself after dying in the roguelike portion of the game, but I never used that feature.

This is the biggest argument for me on why Cult of the Lamb isn’t like Animal Crossing. Cultists aren’t friends or helpful NPC’s. They’re a resource to be used in your quest to slay the bishops. At their best, they’re pretty much slaves to your every whim. At their worst, you can sacrifice them to a pit of tentacles for emergency meat.

Since I’ve covered most of the game’s mechanics, let me try to wrap it all up into one neat package. The action roguelite section of the game doesn’t have the build diversity of other games like Binding of Issac or Atomicrops, or the mechanical challenge. At the same time, the cult management portion of the game doesn’t offer the mechanical depth of other sim games, like Cultivation Simulator or Dwarf Fortress.

At the same time it doesn’t have the comfy factor of something like Animal Crossing, since many of the mechanics apply pressure to your cult. It feels like a waste to construct various decorations and buildings when the same resource could be used to create another outhouse.

I’ve talked a lot shit, so before I wrap this up, I want to say some nice things. Cult of the Lamb has absolutely incredible art style, that it executes to near perfection. And while the plot twist is pretty easy to see coming, there were a few moments in the game that did creep me out. It’s not enough to change my opinion on the game. In 12 hours of gameplay, I can’t tell you the name of a single cultist or about a really cool run, but I do remember a small set of dialogue from an NPC that twisted the knife on how fucked up the game’s universe is.

So, yeah. I don’t personally recommend Cult of the Lamb. This isn’t because it’s a bad game. But what I personally tend to prize in games is either new weird mechanics/risks, or really fun moment to moment gameplay and systems. Cult of the Lamb doesn’t do either of those things. Instead, it’s a synthesis of existing mechanics, and watered down versions of their systems.

Cult of the Lamb is $25 for all platforms.

MultiVersus

MultiVersus is fantastic. If you haven’t heard of it yet because you exclusively read Gametrodon and literally nothing else, thank you for your loyalty! You’ll be given a ranking position in the new regime. If you have already heard of MultiVersus (because you don’t live under a rock), and haven’t played it, or were on the fence about playing it, stick around and maybe I can convince you to try it.

MultiVersus is a platform fighter developed by Player First Games, and published by Warner Brothers. If you’re wondering why I’m mentioning the publisher, don’t worry. It’s relevant. But first let’s quickly talk about platform fighters as a genre. Platform fighters are, for better or worse, defined by Super Smash Brothers. If you’ve never played a platform fighter, there are few things that differentiate them from traditional fighting games.

Platform fighters, like traditional fighting games are 2D games where you use your character’s moves to hit your opponent. As someone who plays both traditionally fighters and platform fighters casually, there are two big differences. The first is that platform fighters are far more open, with mobility much closer to a platforming game. The second is the win condition. In most platform fighters, instead of each character having a set amount of HP, they have a percent value. When you get hit, your percent goes up. The higher your percent, the more knockback you take when you get hit by an attack. But no matter your percent, you don’t actually die until your opponent can knock you off the stage. Finally, platform fighters often have more characters on stage than just the traditional 1v1, and MultiVersus leans into this. The game’s primary game mode is actually 2v2, with many of the characters having abilities that buff or somehow interact with their allies.

Speaking of which. Characters!

The other thing a platform fighter needs to be good is good characters. That’s easy for Smash Bros, which might as well just be the Nintendo “Who’s Who” list for video games even if the list does have some washed up entries. (Seriously, I’m pretty sure Falco and Fox are more relevant as Smash Bros fighters than their series is. And there hasn’t been a new F-Zero game in a million years.)

This is great if you’re Nintendo, but if you have to invent your own characters, like Brawlhalla, or Rivals of Aether, or anyone else in the genre it can be rough. After all, it’s not like you can just go dig up a treasure chest of intellectual property from the 40 years.

Hey, remember how I mentioned this was being published by Warner Brothers, and said the publisher would be relevant later?

Turns out, Warner Brothers has the rights to a lot of stuff.

A lot of stuff.

MultiVersus currently has a seventeen-character roster, which isn’t huge, but let’s look at a few folks in that roster. You have Batman and Superman. You have Shaggy and Velma. You have Bugs Bunny, Tom and Jerry, and Wonder Woman. You have Arya Stark, and Lebron James. You have Stephen and Garnet from Stephen Universe, and you have Jake the Dog and Finn the Human from Adventure Time.

If you can read that entire list without going “Wait what” or getting a least a little excited for a moment about the idea of Shaggy absolutely thrashing Batman in hand to hand combat, then please come to my apartment so I can give you your “Least Exposed to Pop Culture” gold medal. I grew up without TV, I still barely watch TV, and I know who these folks are.

Unlike Smash Brothers, though, these characters aren’t from a video game, so it raises the question “How well were they adapted?” Personally, I think they’ve done a pretty good job. Shaggy is this kinetic bruiser, dashing around the stage, doing that funky little leg zoom walk, and tossing sandwiches. Finn is an assassin, charging up these big swipes of his sword and leaping around. From the characters I’ve played, they’re all fun, with their own tricks and traps.

But this does bring up a point I want to cover: I haven’t played everyone, because MultiVersus is F2P, and that means you don’t actually get all the characters. It’s the League of Legends model, where there’s a free rotation of characters, but if you want to unlock a character permanently, you have to buy them with either in game gold, or the premium currency.

This isn’t a particularly evil implementation of F2P, but it does commit a lot of the traditional sins of the model. I don’t want to put too much energy into calling them out here, so instead I’ll give you a quick list of why I don’t like it much:

  1. Premium Currency can only be purchased in specific increments. This means you can only purchase say 1000/2000/3000 of it, but all the characters and skins cost different amounts. So you’ll always have some left over, and if you want to buy more stuff, you’ll have to buy more currency. It’s like the evil video game version of the XKCD nacho cycle.
  2. Skins are expensive, like 15-20 bucks a pop.
  3. There’s a battle pass/daily quest system, so you have that whole FOMO structure, and since a lot of your gold generation is linked to leveling up characters, it’s easy to tell the flow of gold will shut off pretty quickly.
  4. Perks are a gold sink for F2P players.

Oh, that’s right! We haven’t talked about Perks yet. Lets cover them quickly.

Each character in Multiversus has four perk slots, 1 unique one, and 3 generic ones. The unique ones are a non-issue for me. You unlock all unique perks for a character just by playing them. They tend to offer some sort of boost, or change to one of your character’s attacks, but since you can see your opponent’s perk choices before a game, they’re not a big deal.

The generic perks are where I have a problem, not because of what they do, but because of how you acquire them. They tend to offer small buffs to both you and your teammate. As an example, one gives you an additional third jump in the air after you connect a hit. If you and your teammate stack the same buff, you get a better version it. For example, the aforementioned jump perk when stacked just lets you and your teammate have a third jump always available.

But anyway, this isn’t the problem with perks. The problem is that there’s a limited pool of perks you unlock for each character. Then you have to spend gold to unlock the rest, and you have to unlock them on a character by character basis. It’s like a worse version of League of Legends’ old rune system.

The gameplay itself, though, is what carries MultiVersus. And while I might not be a big fighting game person, the friend I played most of my 30 hours with is. To paraphrase his thoughts, while the game is very focused around hitstun and combos, it doesn’t feel super toxic. There’s also a larger focus on mobility, and to quote him directly “The lack of the homogenization of the trinity (grab/shield/stun) and the presence of charged aerials is a significant shift from other platform fighters.”

Personally, I just think smacking folks around in the game feels fun, and even as someone who sucks at fighting, the matchmaking has yet to throw me into a game that I felt like I couldn’t possibly win.

Speaking of matchmaking, let’s talk about the other part of online play: netcode. MultiVersus has some issues, but overall the netcode is far better than, say, Smash Bros online. There are still situations where it feels like your inputs are dropped, but it’s fairly rare.

Overall, MultiVersus is an incredibly fun F2P platform fighter, with a strong (if small roster), and solid mechanics. While it doesn’t commit any special sins of being a F2P game, I feel like it would be better if you could just buy the whole game instead of being hit with the traditional spending traps. That said, I might not have tried it if it cost $40, and that would have been a shame, because I would have missed out on one of the very few games to even try to give Smash Bros a run for its money.

MultiVersus is free to play on PC, PS4/5, Xbox One, and Xbox S.

To preempt the question from the one person I know who will read this article: it’s not available for Switch, and it’s not clear if it will be. Just go grab it for PC. C’mon, it’ll be fun!