My LGS cancelled weekly Lorcana, and now the game is dead.

Non-Clickbait Title: Ravensburger has shot itself in the foot repeatedly, and it killed my local Lorcana scene.

Okay, so that’s a little bit of a lie. My local game store (LGS) did cancel their weekly Lorcana events, but as far as I’m aware, the game isn’t dead. Yet. But the local population of players has cratered.

I like looking at weird things that happen in TCG’s, and Lorcana has recently given me an interesting little case study in looking at the folks who played LGS, and how/when the drop-off happened.

I also think that for the specific population of players I played with, I can trace back the decline to two or three fairly specific events, and that interests me! So lets talk about it.

But first…

Why does it matter that weeklies are cancelled?

The store I went to for Lorcana ran casual weekly events. These were non-prized, non-competitive freeplay events. You bought in for $7, got a booster pack of your choice, and were entered in a raffle to win some other organized play prizes.

These events were the lowest possible entry point to get into Lorcana and connect with the local community. If you are brand new to the game, if you’ve never played a card game before, if you didn’t go out to card game events… this was the easiest way to try out the game in the lowest stakes, most chill energy environment that was available.

Without these events, the first step on a ladder of getting into the game has been removed. It won’t stop weirdos like me who show up to sealed events for games they can’t play, but I do think it makes it much more daunting (and expensive!) for almost everyone else.

I think this is bad, but I think its especially bad for Lorcana. A lot of Lorcana players in our local were Disney fans first, and Lorcana players second. The traditional label for this would probably be “casual” players, but I don’t think that fits here. These were folks who came to every pre-release and bought cards by the booster box. They might have played the game casually, but they didn’t engage with it casually. They were more interested in making decks around their favorite characters then trying to break the meta.

Anyway, that’s a lot text to say the following:

  1. Loss of weeklies was bad because it removed the first step in on-boarding for new players or players who wanted to get more involved
  2. It’s especially bad for Lorcana because it removed the environment where a lot of players could play the sorts of decks they liked to make.
Cause #1 – Weekly Challenges

Prior to Lorcana’s set 9 (Fabled) releasing, Lorcana weeklies had a point a system. Each week, you could show up, earn points for doing a variety of different things, and at the end of the season, the folks with the most points got some special prizes.

I don’t want to focus on the prizes here, but I do want to look at the challenges. Notably, some of them rewarded making weird decks to beat them, and this meant that instead of everyone just showing up with their best deck each week, there was an incentive to build out a deck to try to meet that weeks challenges, or to play a multiplayer game.

In short: there was a reason to keep things fresh.

(And as a side effect, probably lower the power level of the decks of the players who really wanted to earn points.)

When Ravensburger got rid of this, it removed both the incentive to show up every week, since prizes were now just raffles at the end, and it also meant that there was no reason to even try to make a new deck every week. Meaning that on a week to week basis, every week started to feel the same.

Cause 1.5 – Prize Adjusments

I debated giving this a full sub-section, but I think its comparatively minor. A bit after the weekly scoresheet changes, Ravensburger swapped out their prizes. Previously, I think there had been things like playmets, pins, and cards. Right now, there are only cards and these really underwhelming card boxes.

How underwhelming? Underwhelming enough that I, the king of taking free stuff, the supreme sovereign of snatching up game adjacent garbage, paused before accepting one of these things. I mean, I still took it. But I was unenthused.

I don’t think that this on its own really did too much damage to Lorcana, but I do know that for specific players, this was highly demotivating. It wasn’t a bomb, but it was a surgical removal of another incentive for that set of player to show up and play.

Cause #2 – Set Rotation

Different games have different terms for the idea of set rotation, but all of them loosely follow the same idea: At some point in the lifespan of a TCG, older sets of cards removed from the standard play pool in order to make room for new sets of cards. It can be viewed as a necessity in order to prevent the game from becoming stale, or a way to get people to buy new cards.

Regardless, virtually every card game does it, and Lorcana was no exception. And after their rotation, it was required that decks at these weekly casual events be in the Core Constructed format.

I think this was a terrible idea.

I do think that Lorcana needed rotation from a mechanical standpoint. Set 1, while not committing any of the flaws of say, Alpha Magic, or base set Pokemon, has some flawed designs.

Honestly, on the grand scale of “Well that was a mistake”, free Wheel of Fortune still ranks lower then “What if land destruction is free?” or “What if you can take turn 5 on turn 1?”

So yeah. Rotation made sense from a competitive standpoint, and a design standpoint.

I don’t think it made much sense of a very larger subset of the player base who were Disney fans first, and Lorcana fans second. There were a fair number of adults and kids who could no longer play their favorite deck because those cards weren’t reprinted in Fabled, and so… they stopped showing up for weekly casuals.

Synthesis

The end result of all of this is that when my LGS held their final casual Lorcana event, I was the only person who showed up. I sat around for a bit, did some drawing, then went food shopping while the rest of the store was full of folks playing Riftbound.

The removal of weekly challenges and prizes disincentivized entrenched players from showing up to play, while also making the ones who did show up bring the same deck week after week. Set rotation killed off a lot of casual decks that didn’t need to be killed off, while making folks who’d never played a card game before feel a bit cheated, and question their investment of time, money, and energy in the game.

So here’s my guess as to what happens next.

The lack of casual play removes a critical part of the playerbase pipeline, so even events that are still supported will likely have lower and lower turnout, as it becomes less and less interesting to play with smaller numbers of people.

End result? No more Lorcana at the local game store.

Conclusion

Okay, so I know I called that part above this synthesis, but I think there’s a much more interesting takeaway here, and I think it’s that Ravensburger didn’t understand their playerbase, and treated them like they would a Magic: The Gathering player.

To be fair, I would have made the exact same mistake if I was in their position. No one has yet to put me in charge of a possible multi-million dollar TCG, based off a brand worth billions of dollars, but still.

There’s an assumption that the final form of the “hardcore” player of a CCG/TCG is out grinding tournaments, tracking their full collection, building copies of or iterating on meta decks, and just generally fully engaged with the game portion of the collectible card game. I think in the case of Lorcana, some of the meat and potato grinders weren’t doing that. They were collecting, they were buying tons of cards, they making fun weekly decks for character they liked.

These were the hardcore players. They attended every prerelease, they had built decks for store championships, they tracked every set. But the game was a portion of the experience, not the end state. Lorcana had core players, but they looked and behaved differently then they might in another game.

Or at least, thats my crackpot theory.

LinkedIn is Terrible for Communication

Since getting laid off, I’ve had the experience of spending more time then I normally would (any) looking at LinkedIn. It has been an interesting experience, because I exist in the middle of two separate bubbles in that space, one being information technology and business process management, and the other being game development.

In the IT/BPM space, all public statements are universally enthusiastic about AI. On the flip side, the gaming space consists of folks like Chet Faliszek looking to start fistfights with every single person who declares that AI is the future and now.

I won’t lie, this second bit brings me great joy. Currently, my BlueSky feed consists of almost entirely of people looking to feed Ryan Dancey’s carear into a wood chipper after he suggested you could just replace game designers with LLMs.

Again, great joy.

Still, the thing I want to talk about is the first group. The BPM/IT space, and the various posts about how the future is now, and it is AI.

Now, while I’ve said that everyone is posting that AI is the future, you might notice that I never said that everyone is saying or everyone believes that AI is the future. That’s because they don’t. I know at least a fair number of the folks posting about the joys of AI LinkedIn either don’t care, think it’s bad, or actively loathe it, but because of current market conditions and messaging, they feel they have no choice.

The problem is that LinkedIn is almost entirely a platform for social signaling, not for actual communication. There are exceptions to this, like Chet. If you have adequate social or monetary capital, you actually can treat it like you would the YouTube comment section, or alternately, post your real opinions.

But I didn’t write any of Portal, so if I go onto the L’OREAL page, and say that their partnership with NVIDIA for some AI powered makeup is the stupidest thing I’ve ever seen, I’ll never get a callback.

The incentives aren’t to have open or interesting discussions about business, challenges, or exciting new developments, it’s to go along with whatever everyone in upper management currently believes. Even when doing otherwise might be better for everyone.

Anyway, it’s kind of unfortunate that LinkedIn requires all of us to engage in a large scale version of the emperors new robe.

I went to a GMG Playtest Event!

Probably shouldn’t have abbreviated that quite so much, but GMG stands for Game Makers Guild! If you haven’t heard of the Game Makers Guild, they’re a group down in Boston that provides a bunch of services for indie designers, including design help, curation, and also runs playtesting events.

I’ve written a fair amount about various playtesting events I go to, but this one was different because for once, I brought a game! (Okay, it’s not just me, it’s a game I’ve done at most 30% of the work for.)

Before I talk about my own game though, I want to talk about another game I saw there, called Rule the School.

Rule the School

Rule the School is an area control game by Alfred Septembre. Players are competing candidates in a school council election, and are trying to win by having their supporters most effectively placed to influence the outcome.

In this sense, it looks pretty straightforward, but the real fun bit is the action selection system. On each turn, one player draws 3 supporter cards, chooses 1 to keep, 1 to give to their opponent, and 1 to throw away. Then, they slot that supporter card into one of their actions, and the supporter they chose adds its effect to the selected action. Alfred described it to me as “slotting the key into an ignition switch,” and I really enjoyed it.

I don’t really have anything to say on Rule the School, other then to note that by the time I was playing it, I’d had 4 hours of sleep, been awake playtesting games for 8 hours straight, and Rule the School knocked me back awake. It’s just a very fun game, and I hope I get to play more of it in the future, whether that’s at PAX East Unpub, another GMG event, or somewhere else.

If you want to learn more about it, Alfred talks about the game a bit on his blog here, or on his instagram! Its really fun, and I hope I get to see more of it.

Anyway, now let’s talk about my game!

Welcome to Card City

I’ve been working on a game called Card City Critters for a few months now, co-designing it with Max Seidman. It’s something we’re calling a “live action collectible card game.” Let me explain how we got here.

I love collectible card games, of all sorts and sizes. Whether I’m talking about what I’m seeing at PAX Unplugged, playing One Piece for the first time, or throwing myself into tournaments for games I’ve only played twice, I love CCG’s.

But CCG’s also have a lot of a problems. From a player standpoint, they’re incredibly expensive in terms of both time and money. If you don’t have a local community for a specific game, it can be hard to find folks to actually play with.

From a design standpoint, there are a lot of problems, but they’re almost all outweighed by the billion pound elephant in the room: if you choose to make a collectible card game or trading card game, your product is competing with Magic: The Gathering. This is something that I view as a pretty bad idea, even if I respect those who choose to do it.

Still, I love trading card games. I love learning a system, seeing strategies I would never have thought of myself, opening booster packs for the first time, and just generally getting to experience all the weirdness and excitement of a new CCG.

So my question for myself was “How can I create an experience that lets players have all of those fun moments, but is also far cheaper, doesn’t require a long term commitment, and also doesn’t compete with big players already existing in the space?”

And while it’s a work in progress, Card City Critters is my and Max’s attempt to design that system.

Funspot NH – A Quick Review

For my mildly belated birthday, one of my friends put together a trip down to Funspot several months ago. If you haven’t heard of Funspot, it’s the “world’s largest arcade” according to Guinness World Records.

It’s an interesting place, both for the entertainments inside, and a secondary “vibe”. One of the first things you might see driving up is the electronic outdoor sign switch over from an image of Funspot’s mascot Topsnuf the dragon, to the yet unanswered question “Who is John Galt?”

After arrival, if you need to relieve yourself and use the first floor bathroom, after exiting you may find yourself looking up at a large picture of Ronald Reagan extolling the virtues of video games for their values in training future pilots for the Air Force.

It’s an interesting tone.

I’m here to talk about the games though.

The Games

Funspot has several hundred cabinets, dozens of pinball machines, and just a general smörgåsbord of other types of arcades. I absolutely can’t review all of them, and I’m not going to try. Instead, I’m just going to section them off, and give my opinions on the various parts of Funspot.

Pinball

There are two general areas for Pinball: a set of old machines, and a set of standard more modern ones. Despite having a lot more machines, I think I generally enjoyed Capital Pinball‘s games more.

A big part of this is because when the machine breaks at Capital Pinball, I’d turn it off and on again, and at Fun Spot, I’d have to find some exhausted looking employee to fix it, which might not actually happen. Two quick shoutouts on machines: first to Gottlieb – World Series, the first Pinball machine where I managed to never even score a single point, and Joker Poker, a machine one of my friends quite liked.

Mini-Golf

There’s a self-serve indoor mini-golf area at $5 a person. It’s not the most inspired mini-golf I’ve ever played; most of the holes are basic straight shots or maybe only two bounces. There are no real gimmicks or super clever designs, but it’s perfectly serviceable, good for maybe one play-through total.

Arcade Machines

There are a lot of old arcade machines. I actually don’t have too much to say on these, as I probably spent the least amount of time on them. Old arcade games are fascinating to me from a technical and design perspective, but as gameplay experiences, I tend to find them a bit underwhelming. Also, a few of the ones I did try to play just kind of ate my money and didn’t start.

That said, my friends had a great time with Tetris and Smash TV.

Air Hockey

Air hockey probably ahd the best token to fun ratio. There are three giant sheet metal air hockey tables, two of which mostly work. There are a few spots on the table where the air doesn’t come out, but overall, it’s air hockey. You smash the puck, try not to injure anyone, and just generally have a good time.

Skeeball

There’s a row of Skeeball machines, most in good shape. They’re an excellent place to watch an 8 year old just absolutely wing a chunk of plastic at the wall, an environmental storytelling explanation of the “Management reserves the right to limit players” sign. They’re a terrible place to earn tickets though, with a max of 10 for a perfect score. Overall, it’s Skeeball. You either know if you like it, or you spend a single token to find out.

Daytona

Okay, so this part was actually kinda cool. There were a bunch of Daytona machines, and they were all hooked up together. We had one 7 player game, and that was fun. Also, I got run off the road.

Ticket Counting Machines

Sometimes they count your tickets correctly! Sometimes they don’t. A lot of the time they break, and some kid in a high-vis vest has to come over, crack em open, and unstick the machinery. They still look super cool.

Prize Wall

I mean, it’s an arcade prizewall. It’s not great. I’ll be real here, I had slightly higher expectations from the “World’s Largest Arcade” bit, but like… not much higher. Maybe expectations is the wrong word, and I meant “hopes”. I had higher hopes for the prizewall.

Like, you could have some Magic cards? Or maybe gold bullion. Instead, this is your generic prize wall. There’s some candy, there’s T-Shirts, and there’s a few other things. But I think we turned like 40,000 tickets in 10 cups of candy and T-Shirt.

Overall Thoughts

Frankly, I’m a little underwhelmed by Funspot. While the number of machines is incredible, the cost to play and ease at which things break was disappointing. I enjoyed getting to hang out with my friends (you were all awesome!) but I’d probably choose to bring folks up to Capital Pinball instead for my next birthday.

If I’m being honest, part of this is also the weird super-libertarian vibe the place has. Maybe if it was a different time, I would feel differently.

Randy Pitchford Confuses Me

I don’t really understand Randy Pitchford. He’s one of very few gaming CEOs whose name I remember, mostly because every time a new Borderlands game rolls around, he decides to randomly pick fights with people on Twitter.

And every time I have to imagine that there’s got to be a better way to manage him than this. Surely Gearbox employees must be envisioning the same thing. They actually know him as a person, I’m confident they could come up with a good solution.

Perhaps a good solution isn’t even necessary.

Please do not feed the CEO.

I don’t even think he’s rage-baiting people. I think he’s just like this. If I owned a company, and it had just released a product with more crashes than I-93 on labor day weekend, I wouldn’t be randomly picking fights with people on twitter.

Sure, there’s the flip side of it, which is that this behavior is so clockwork at this point, that he’s just a staple of “games journalism.” He is for IGN and Kotaku what pandas and tigers are for National Geographic. If I worked at either of those outlets, I’d have alt-accounts to constantly taunt him, on the off chance that I annoy him enough to get a reaction I could screenshot and post to r/games and meet my view quota for the month.

I would be tapping the glass all day long.