Dead By Daylight

I’ve played a shit ton of Dead by Daylight over the last few weeks, and I really like it. If you’re familiar with the game, but haven’t really given it a chance because of the horror theme, I’d encourage you to check it out.

So what is Dead by Daylight? Well, it’s a 4v1 asymmetric hunt. If you don’t know the genre, that’s fine, because I can’t come up with one either. Maybe I’ll come up with a better descriptor by the time I finish writing this article. Maybe not. The point is, it’s one of very few games I’ve chosen to play instead of Dota 2. It’s sorta perpetually competitive, and also a game I’d like to get better at.

Before we dive into the game itself, I do wanna get my two main gripes with it out of the way. First of all, the game has a shit ton of DLC. Buying the base game at $20 gives you five out of the twenty one playable killer characters, and six or so of the twenty-three survivors. I’m mostly just going to look at killers for the sake of simplicity here, but of the remaining sixteen killers currently in the game, seven are permanently pay walled, as they are licensed characters from other horror franchises. The others can theoretically be unlocked by grinding. At about 90 hours played, I think I’ve earned enough currency to unlock… 2 other killers. So yeah. The time to unlock ratio ain’t great. Also, on their own, killers and survivors are $5 each, and you can buy packs of specific ones for $7.

Editors Note: I’m pretty sure I counted right for the killers here, but I may have miscounted the survivors. Point is, there’s a lot of DLC if you actually want to play all the characters.

Second main gripe would be this: The game can be buggy as all hell. When I mentioned bugs in my last review for OddRealm, I mentioned them because while they were rare, they were game breaking. In Dead By Daylight, the reverse is kinda true. I’ve seen only one bug that actually ruins games (a piece of level geometry that you can clip into, and get stuck in). With that said, 7/10 times, your pre-made animations will clip the camera into a wall. You will hook survivors onto empty air. Mostly stuff like this.

So now that those two things are out of the way, lets talk about the actual gameplay. Like I mentioned, it’s a 4v1 hunt. One player plays the killer, and four players play survivors. (You do get to pick which role you want to queue for before starting a game.)

The games take place in semi-randomly generated maps, with each side having a different set of goals. Survivors have to repair five generators, and then open an escape door in order to get out. They do this by interacting with the generators, and completing quick time events to continue the repairs. Killers need to (surprise, surprise) kill the survivors, which they do by inflicting damage until the survivors are downed, and then hanging the survivors on giant meat hooks so a spider god can try to eat them. Survivors can still save their friends from hooks, but it’s always possible the killer is nearby.

While this sounds simple, it’s made markedly more complex by the variety of game mechanics, perks, items and other factors in play, as well as the fact that regardless of which role you choose to play, you will be facing off against other humans. If you trick someone, it’s because you outsmarted them, not because the game let you.

Here’s just one example of a mechanic in the game that’s quite interesting, and it’s also why I wouldn’t consider the game to be a horror game: The Terror Radius. You know how in horror movies, the tense music plays as the murderer gets closer to our unsuspecting victim? Well, Dead By Daylight has something similar. You can actually hear the killer approaching, which means while they mostly can’t sneak up on you. Of course, they do have perks and options to lessen, or even temporarily hide their radius, so you’ll still have to pay attention.

And there are a bunch of mechanics like this. Killers have a first person point of view, but survivors have third person, and can use it to see around corners and over walls. At the same time, Killers move faster then Survivors, so without careful play, Killers will always win chases.

I could go on, and just list out mechanics, but I’m not sure it would sell anyone on the game, or it would help explain why the game is so compelling. What I will say is that Dead By Daylight has one of the best ratios of money/time spent in game of anything I’ve played this year.

Odd Realm

Odd Realm has promise, but just isn’t finished yet.

I really like Odd Realm. I’ve played a bunch of it prior to writing this review, most likely 10-15 hours and I want to be able to recommend it… Right now, I have two big reasons I can’t, and a few small ones. If you already own the game from the racial justice bundle, or some other event, you should play it. But if you don’t own it yet, you may want to wait until a full release.

Odd Realm is a colony builder, and has the most in common with Dwarf Fortress. You pick a starting race, pick a place to start, and then proceed to try to keep your settlers alive. Doing so requires making sure they have water and food if you picked humans. Or they might require chambers in which keep their animate bodies forever functional, if you picked the immortal skeleton race. Y’know. Normal stuff.

I mentioned two big reasons I can’t recommend Odd Realm just yet, and they are the following: First, the game is buggy. And second, it feels fairly content-lite compared to its obvious inspiration of Dwarf Fortress.

Let’s talk about the bugs first. 95% of the time, the game runs smoothly. I’ve had no crashes, or straight failures, even if I have had points where stuff gets a bit laggy for a moment.

5% of the time, something weird will happen and the game will just die. I’ve listed a few examples below.

  1. Settlers decide that the most fascinating thing to do is to all simultaneously move back and forth onto a resource deposit zone, instead of doing anything else you might want them to do.
  2. Settlers get stuck in the move action, and refuse to actually move.
  3. Settlers move jerkily and refuse to take any additional actions.
  4. Settlers don’t move resources to appropriate resource deposit zones.
  5. Production queue of items, and information just absolutely dies.
  6. If you make the mistake of digging underwater, prepare to watch as your game slows to an absolute crawl.

The problem isn’t that these bugs are common. They really aren’t. The problem is that they absolutely destroy the game when they occur. I was having a hard time writing this review, so I fired up the game to try to figure out what I wanted to say about it, only to spend more time trying to figure out why I could no longer manufacture glass panes, and spend an hour or so trying to fix the issue.

To the developers’ credit, they seem to be aware of this issue, and fairly active on their Discord in requesting sessions and save states to try to patch the problems, but right now, having your entire fortress just blow up because of of a stupid bug feels real bad.

The second big issue is that the game feels very content-lite at the moment. There are only 4-5 types of ore, and they all function more or less the same, but with better stats. The same thing feels true of most of the plants you can grow. There are only a few pieces of gear, a few spell books, etc. Some types of stone can be used for making roofs, but not for anything else. Right now, once you have rooms set up, there just isn’t a lot to do.

There are a bunch of other little things that I find annoying, like not being able to tell settlers things like “Stay in here, don’t go outside” and the number of random events being exceedingly limited. But these are all minor.

This is why I think if you don’t already own the game, but find it interesting, you should wait until release. Many of the bugs and glitches will hopefully be ironed out. And hopefully they’ll also be a lot more to do. But right now, Odd Realm is a bit buggy, a bit frustrating, and still unfinished.

P.S. If you do have Odd Realm, play the Ancients race instead of humans. They are way more fun.

Didn’t Make the Cut #2

Another week or two, another set of games that just didn’t hold my interest long enough for me to give them their own full article.

Welcome to Didn’t Make the Cut #2, where we continue our way through all the games in the Racial Justice Bundle that just didn’t want to make me play them. The ordering here doesn’t reflect anything other than how interesting I thought they were. These are all the things that just didn’t keep my interest long enough to warrant a full article.

Extreme Meatpunks Forever

I can’t write an entire article about Extreme Meatpunks Forever because I didn’t play the game for longer than like 20 minutes. I feel like this was a fair shake, but I really wasn’t feeling it.

Like, here is the summary of the game from its page.

A visual novel/mech brawler about gay disasters beating up neonazis in giant robots made of meat.


Which is. I dunno. I think you can probably read that and decide if the game is for you or not.

My one sentence review of the game would be this: the game feels like a playable Zine. The game feels very cobbled together. The backgrounds are ASCII, the characters are single images, and the writing wobbles between really neat sci-fi and dialogue that doesn’t include things like capitalization and punctuation.

This one just wasn’t for me.

Music was fucking banging though.


I can’t find my notes for Walden, but more or less, it feels like a very light survival simulator.

There’s a type of game that exists which is biblical or religious, and they tend to exist in order to try to get you interested whatever religion or such they’re selling. The problem is, they tend to be made by people who are religious first, and game designers second. The intended result is usually to use the game like the lure on the end of those deep sea fish, where the fish’s jaws metaphorically represent joining whatever cult made the thing in the first place.

Usually they’re not very successful, because the other fish (game companies) have far more exciting lures, and those fish jaws only represent things like microtransactions and loot boxes. And I guess the risk of becoming a pathological gambler is better than becoming a member of the Mason family?

Regardless, Walden feels like a game made by that sort of person. Except instead of trying to convince you to give them your life savings and move to a commune in Pripyat to be one with the Everglow the Light Mother, the designers of Walden seem to want you to read the book that inspired them to make the game. If this was their goal, I think they kinda succeeded.

I’m actually fairly curious about reading Walden (the book) now. Maybe avoid it if you’re afraid of “transcendentalist philosophy.” (Apparently that’s what the book’s about. I just stole this from Wikipedia, so I hope it’s right.) Still not gonna play any more of the game though.

If you’re still interested in Walden, you can find it here.

Art Sqool

In Art Sqool, you walk around a weird world and draw things, given instructions and graded by what I assume is Microsoft’s mascot Clippy’s brother who got into hard drugs instead of software development. You can pick up more brushes and colors in this world, but that’s it. It’s not really a platformer in any typical sense. It’s mostly just exploration across the “Campus,” which gives the impression of what a wasting illness called “Clipart” would look like on skin.

Whenever I’m playing through these games, I like to take some brief notes that I can review later in order to give thoughtful, detailed opinions. For example, this is what I wrote about Extreme Meatpunks Forever.

-At least it’s a game
-Not a very interesting one
-Seems like it’s mostly visual novel
-I do not care about these characters
-Some aspects of the worldbuilding seem cool
-Rad Music

My Dumb Review Notes for Meatpunks

“Now wait”, you think. Isn’t this bit supposed to be about Art Sqool? Well yes, dear reader, it is. But I present those notes as an example. Let’s now look at the notes for Art Sqool.

-This ain’t a game
-Why does this exist
-Remember kids, when making games, don’t forget to include gameplay
-I hate this

My Dumb Review Notes for Art Sqool

Now, given that all interactive visual media can be more or less considered a game, and after discussion with someone else, I’d like to present the following quote.

I don’t think I’ve ever read a definition for art that wasn’t stupid. Generally speaking, when a person constructs a thought-machine of this kind, what they’re actually trying to do is determine what isn’t art.

Jerry Holkins

And to be fair the same is true of games. Saying that something is or isn’t a game is arbitrary, and as such, I’m willing to concede that the first line of my notes is wrong.

In a secondary non-concession to the fact that this is still my article to write, I’m not linking the game here. I think it’s stupid, bad, and I loathe it. Fuck Art Sqool.

That’s all I got for today. Until next time.


You can pass on Beacon. You will not miss anything. This entire article is just me being grumpy about every aspect of this poorly designed and carefully made exercise in frustration.

I wanted to like Beacon. I really did. But overall right now, given that the game isn’t even finished, I can’t recommend it. So what is Beacon, why might you want to play it, and why should you avoid it?

Beacon is a top down real time isometric roguelike. It’s interesting if nothing else for actually not being 2D, despite the fact that the player doesn’t have a jump, and the whole game takes place in 3D environments. Interesting isn’t the same as good though, so we’ll come back to that later.

So why shouldn’t you play Beacon? Well, for starters, the game isn’t actually finished. Currently you can play through about six stages, and then the game just kills you at the end, because there isn’t anything else there. Secondly, it seems somewhat unstable. It took me less than 10 runs to get to the end of the current final area in the game. The only reason it isn’t a lower number is because the game crashed on a very good run early on, and forced me to restart.

Let’s say you don’t care about these reasons. Well, Beacon does very little that’s actually new. The game plays like a Frankenstein of mechanics. Each run starts by selecting the DNA you’re going to use for the run. This includes things health, stamina (yes, they’re two different things), armor, crit, luck, and I stopped caring because there are too many of them. This is followed by the DNA being sequenced, at which point any DNA mods you got are applied, and DNA has a chance to mutate, which permanently changes functionality of your character during the run. You arm might split open and replace your melee attack with a sonic projectile. You might get the ability to…. lifesteal while set on fire. Or maybe your legs just become pus-filled blobs that leave a trail of slime whenever you dash. It doesn’t really matter though, because:

1. Most of these end up playing the same, and

2. You’ll get multiple runs with those pieces of DNA, after which they die, and you can’t use them anymore.

I couldn’t see a pattern in which specific mutations actually occur, so I couldn’t, for example, use DNA to build a fire-based build, or anything. Also, some mutations are just boring. I had one that just massively decreased crit, on DNA that I had picked to increase crit.

Cool. So, since that’s done, let’s actually play. Each level is randomly generated, but ends up following a pretty similar pattern. Throughout your run, you’ll pick up DNA to use for future runs, guns, side equipment, sidearms and grenades.

Taking a step back for a minute, weapons are one of the few things that feel like they’re done correctly. Many of them are quite interesting (bone boomerang gun) and extra weapons can be recycled for ammo mods, which give a permanent boost for the rest of the run to your remaining weapons.

Grenades are worthless. I don’t know why they’re in the game, and I don’t know why you’d use them. They’re boring, pointless, and hard to aim.

Okay, now let’s talk about pickups and auxiliary. I don’t know which one is which, and I do not care. All you need to know is that the game lets you have one of each, and the grouping of items in these slots makes no sense.

For example: an item that gives you a chance to fully reload your magazines on kill, as a passive. Or a 5-use boost jump. An item that caps your health at 75, but gives you permanent health regeneration. Or a 10-use of a set of daggers that lifesteal if you hit with them.

There is literally no reason to ever pick up the consumables instead of the passive boost ones, the passive are just that much better. Also, unlike guns, these can’t be recycled for ammo mods. You can destroy them to get a single extra grenade. Hooooorayyy.

This brings me to my biggest gripe with the game overall: the art.

Beacon has beautiful art, but it’s almost entirely counter productive to the actual gameplay, i.e. being a fast-paced run and gun roguelike. The readability of the screen is garbage. Everything is done in a sort of low poly style, but instead of making it easier to tell whats going on, it’s messed up with tons of unnecessary detail, lighting, and other graphical crap. My favorite example of this would be the fact that slime and acid look almost exactly the same, but one is simply an armor reducing debuff, and the other is a DOT that can kill you.

Oh, and speaking of death, the game has insta-deaths. Falling off a ledge won’t kill you, but if you make the unfortunate error of somehow ending up on top of a bunch of spikes, that’s it. Run over.

There are good moments in Beacon: the dodging can feel nice, the weapons are cool. But the game feels like a bloated Frankenstein monster. It tries to do too much all at once, and ends up a playing like someone tried to make an ice-cream shake by going to a variety of fast food joints, ordering a small milkshake at each, then taking them home, shoving them into a blender, straw, cup, lid and all, and then just lighting the thing up. Drinking this shake means that sometimes you’ll get strawberries and chocolate, and sometimes you’ll get strawberries and small shards of plastic.

Also, the game is cakewalk fucking easy. You’ll spend more time being annoyed at trying to figure out where you need to go than you will in interesting fights.

I feel bad about tearing things to shit.

A Mortician’s Tale

Short, interesting content, more akin to a visual novel. Very little gameplay or player agency.

I picked up the Racial Justice Bundle at least in part because I wanted to expose myself to a bunch of stuff I wouldn’t otherwise play. I also started this blog mostly to recommend games to other people. (And to like, pretend to be a game journalist, but same difference.)

This puts me in a bit of a bind regarding A Mortician’s Tale. Aspects of the writing for the game seem extremely strong and well thought out, but as a game, I’d say it’s far closer to a visual novel. The gameplay, at least as far as it’s present, has almost no player agency. I’ll talk about why I feel this way in a moment, but my overall verdict on the game would be this:

A Mortician’s Tale as a game is likely to appeal to individuals who like short, experimental things. The game took about 45 minutes to an hour for me to complete, and that was while reading most of the in-game emails from NPC’s. It has very little replay value outside re-reading text. Unless you have an curiosity for the subject matter (death and funerals) or experimental indie projects, I don’t think you’ll enjoy it.

Despite all that, it’s worth noting that I didn’t put the game into a “Didn’t Make The Cut” article because I did find it fairly interesting and thought-provoking. Let’s talk about that, and also, a brief warning: this article is about to sorta reach that point that most online recipes do, where it says very little about the actual thing you came to the article for (game stuff) and a lot more about the author of the article.

There are three main sections to the game: Preparing Bodies, Attending a Funeral, and Reading Emails. I’m just gonna go through em real quick in that order.

Preparing Bodies is the majority of the “gameplay”-like aspect of A Morticians Tale, and it’s pretty similar in execution to something like Trauma Center: Under the Knife or maybe Cooking Mama. You have a variety of tools that you use in order to accomplish things, but the main kicker is that you actually cannot screw this up. Like, the game will not let you use a tool incorrectly, or at the wrong point in time.

On the one hand, I get it. If you make a death-positive game about the importance of what happens with people after they die, letting the player poke a smiley face into the body of a teenager who killed himself might not fit the tone.

On the other hand, it means that the extent of actual gameplay in the game is limited/non-existent. While being guided through the actions of preparing a body is interesting, the fact that there is no real need to focus or learn anything. After the first body, I more or less just clicked and went as fast as possible, because you don’t actually have to learn anything, and the game doesn’t let you screw up. Anything interesting in this section of the game is limited to learning about the process that is used to prepare a body to be displayed.

Next we have Attending the Funeral. I found this to be a weaker part of the game, as it mostly consists of listening to 4-5 people talk in discussions that are less than a paragraph, and then leaving. Here’s why I’d consider it weaker.

I’ve been to maybe five or six funerals, most of them before I was 18. Almost all have been generally Christian as far as funerals go, but the people in them are fairly different. Off the top of my head, here’s a short list:

  1. Grandparents
  2. Classmate
  3. Family Friend
  4. Tutor/Neighbor
  5. Family Friend Relative

I mention this because the reasons for these deaths widely varied. Some of these people were very old. One had a long term fatal illness. One was a suicide. Another was in great shape, went for a run, and was killed by a heart attack.

My point would be this: regardless of the death, or the expectation and preparedness for it, funerals are incredibly emotional. A Mortician’s Tale never captured any of that emotion for me. Regardless of who has died, it’s hard to not end up overwhelmed at least a bit, whether it be from loss, or from empathy for those who have lost of a loved one.

This brings us to the last part of the game, reading emails. I would say that this is one of the strongest parts of the game in terms of writing, but again, it doesn’t actually allow any interaction or choices. It’s more like a neat sort of creative writing.

There’s a bunch of interesting stuff here regarding the death business, the up-sell of funeral packages, and the whole concept of as death as an industry. But none of it is actual gameplay.

I already gave my verdict on it up above, but while I wouldn’t recommend the game to people who are solely looking for a game, it’s still interesting as an experience. Also, I’m pretty sure it took me longer to write this article than it did for me to beat the game. So, yknow. Not sure what that means.

Until next time.

Fall Guys: Ultimate Knockout

Because Mario Party isn’t rage inducing enough on it’s own.

If you’ve seen Twitch at all recently, you’ve probably seen Fall Guys. If you haven’t, allow me to summarize it for you: imagine a battle royale game, but instead shooting each other death as teenagers, you’re all happy jelly bean blobs competing in Mario Party style mini-games to be the last person standing.

It’s simple, cute, and amusing, even if it isn’t particularly deep. Some of the mini-games are fun. Some of the mini-games are not as fun (looking at you Perfect Match). Some look like complete bullshit, but actually have some strategy like Tip Tap Toe.

Most the games are at least enjoyable, and the fun primarily comes from watching other players be launched, whacked, and otherwise smacked around, and also by being a winner. There are a few game modes that are legitimately great, like Hex-A-Gone, a multi level Tron style mode, where the last person to fall all the way to the bottom wins. Most of the team mini-games, like Soccer, Egg Collection, and Ball Rolling are also enjoyable.

When I was first writing this post, I actually had a bit where I was going to go into the worse game modes, and tear them apart a bit, but then a funny thing happened: see, with the exception of Perfect Match, most of the game modes are pretty good when the servers aren’t massively lagging. One particularly awful game, Tail Tag, is actually really fun when things like hit detection and stuff actually work.

I think Fall Guys is a ton of fun, and worth playing, but I have a few caveats to that statement. First off, I suspect there is a large section of individuals who just won’t have a good time. If you already hate stuff like Mario Party, or WarioWare, or just battle royale style games in general, you might wanna pass on this one.

Secondly, Fall Guys is a lot more fun with a friend. If you can get even one other person to play with, each game becomes less of a solo deathmatch, and more of a fun mess as you work against and root for each other. I had a lot of fun with the game on my own, but it’s undeniable that the joy of the game is dampened when every other character you beat or get beaten by is anonymous.

Fall Guys is $20 on Steam, and while it does have micros, they’re purely cosmetic, and not for anything you can’t get anyway.

Fall Guys will not cause you to look inward. It will not grant you peace, or force you to confront deep seated fears. But it’s fun. And when you are launched into space, or toppled into the void right as you jump because some rando grabbed you for absolutely no good fucking reason, it will give you something to be angry about other then the unmitigated nightmare that has been 2020.

Quantum League

A mind bending shooter that’s best played with a friend. Really neat unique time mechanics, but not a massive player base.

I first saw Quantum League about 2 years ago at PAX East, and even though I didn’t play it then, I was interested in the premise. So what is the premise? Simple.

Quantum League is a 1v1 or 2v2 shooter played in rounds, where each round is a 15 second time loop that repeats three times. I enjoy the game, but it can be a little draining after a while, since there are only those two games modes, and you’ll only ever play against humans. For explaining the mechanics, I’m going to talk about the 1v1 mode only.

When a round starts, you have your dude, you have a pistol, and you have five other weapons. The weapons are pretty straightforward, you have a sub machine gun, a sniper rifle, a shotgun, a grenade launcher, and the only funky one, a kinda beam-stick flamethrower. All of them behave pretty much as you would expect from any FPS. In the first round, it’ll just be you and your opponent, and depending on the game mode, your goal will be to either shoot ’em, or be the only person standing on a given capture point at the end of the round, which (big surprise) will most likely involve shooting them. The round will end after 15 seconds, even if you kill them early on.

Loop two is where things get interesting, and where Quantum League really shines as its own game. Like I said above, the game is played in loops, and in round two, you’ll have the same starting locations, weapons, everything else, with the game’s one big mechanic in play: there will now a be copy of you, replaying all your actions from loop one in addition to your normal controlled self. Your opponent gets one, too. They will replay all actions you took in round 1, exactly as you performed them, and they can still be interacted with. In Quantum League, when you die, instead of waiting to respawn or taking other actions, you instead just continue playing, but as a ghost. Your ghost version can’t interact with anything, damage anything, or score. But it can still shoot, move and otherwise do whatever it wants, because there is a very real chance that at some point in a future loop, you might kill the killer before they kill you, and as such, your clone will suddenly remain alive instead, meaning that its actions are now a resource you can use.

Loop three is the same as loop two, except with clones from round one and two, and one big difference: rounds are only scored at the end of loop three.

This time mechanic is the thing that turns Quantum League on its head, and is what makes the game completely different from almost any shooter out there. The key to winning in Quantum League isn’t pure twitch reflexes, or more accurate aim, but to plan your actions, recognize what your opponent will do in response, and then move to anticipate their future actions.

Here’s an example: Iin any given loop one of Quantum League, my preferred weapon is the sub machine gun. The SMG is a medium range weapon, losing at long range to the sniper, short range to the shotgun and beam rifle, and lacks the inherent area denial and angle capacity of the grenade launcher. So why pick it? For me, the SMG is the most effective continual area denial tool in the game. My plan is to move up behind cover, fire a few shots down various angles that I suspect my opponent may try to use in future rounds, punishing them with chip damage if they do, before finally actually moving to try to take out my opponent and win the round. In short, I’m not even shooting at my opponent, I’m shooting at where I think they’ll be in the future.

And this is just a small fraction of the sorta neat stuff you can get up to. There are also respawn globes and a few other mechanics that make the game even mind melting then it starts out as.

The only two big gripes I have with Quantum League are the hyper competitive nature of the game, which makes playing it for a long period of time fairly draining, and the lack of other game modes.

If Quantum League sounds like your sort of game, you can get it on Steam and it looks like a Switch version comes out soon as well, but I haven’t played it. I really suggest find a friend who also interested, because that way you can do 2v2 matches, and 1v1 matches if no one else is playing at that point in time. The game’s player base is still pretty small.

A Short Hike

Be a bird, climb a mountain, fly around and stuff.

A short hike is a fun, simple collect-a-thon in which you try to climb to the top of a mountain. It has a very Animal Crossing aesthetic, and the actual gameplay often reminds me of Breath of the Wild. It takes maybe 3-5 hours tops to “Finish” the game, and it probably has some repeatability, but more for exploring the island, and less for mechanical challenges.

Also, I almost didn’t play it, even after downloading it, because I’m an inverse elitist, and kinda assumed it was a Firewatch-esque game novel.


A Short Hike is well named. You’re quickly introduced to the main character, her aunt who she’s staying with on a small island with a mountain in the middle, and okay, now you’re playing the game. There is a given reason for having to climb the mountain, but it’s not really that important in any way.

The game is played from a top down isometric perspective, like Animal Crossing, and a decent amount of time spent trying to get to the top of the mountain is going to to be spent looking for various items, golden feathers, and other interesting things. The general structure of gameplay is, “Follow a trail, hit a roadblock, find a way around the roadblock, or start exploring,” or at least I think that’s what the structure is supposed to be. My gameplay structure was more, “Follow the trail, find something interesting, get distracted by it, search around, find some treasure, chat with some folks, and then remember that technically, I’m supposed to be climbing a mountain.”

I have one big gripe with the game, and it’s that the flight controls are a bit cumbersome. Looking at the game afterward, I suspect it’s because the game might be intended to be played with a controller, instead of mouse and keyboard, but it can make some of the bits near the end a little tricky.

Lemme explain what I specifically mean. A Short Hike has a locked camera, and said camera seems to shift when you enter certain spaces/move through a given zone. This isn’t a problem while walking, but when you’re flying/jumping, if you pass through one of those barriers, the game has a habit of re-orienting your bird, and all of sudden, your inputs make the character fly in a different direction then intended. This can also be tricky if you’re trying to land on top of things far below you. It’s my only real issue with the game, and I suspect it might just go away if you use a controller.

Overall, I had a lot of fun with A Short Hike. It’s a few hours long, and it’s $8, which seems about fair to me. You can buy it on and on Steam, and it was part of the Racial Justice Mega Bundle on itch, so if you bought that bundle a bit back, you already own it! And you should play it!

With 2020 continuing to be the winner of year it is, it was nice to just fly around a chill island and have a good time. Take care of yourself, and stay safe. Racial Justice Bundle – Didn’t Make the Cut #1

All the games I played, but didn’t grab me enough to get their own full article.

A massive amount of the stuff I’ve been playing has been from the racial justice bundle, and there’s a lot of stuff that for whatever reason, either never grabbed me, or I didn’t feel like writing a full article about. So here are three of the things that were just sorta “Meh” to me, but might be your cup of tea. Or not. Maybe they’re just kinda lousy.


You have a team of robots. Control them with a robust visual programming languages. Solve challenges with them. I did the tutorial, got through a few levels, and just sorta dropped it. Nothing about it really grabbed me, or made me super interested. I found myself just spamming the same sets of AI over and over, and then tweaking them if they lost, then just spamming them again. For games like this, I feel like the moment that really sells the game is where you try to get some sort of tricky or clever plan to work, and you pull it off. I never had one of these with Gladiabots.


For some reason, when I downloaded it, this game was like four gigs. I’m torn between calling it Instagram Filter Simulator and Acid Trip Simulator, but since I’ve never actually done acid, I’m just gonna call it Instagram Filter Simulator.

I do not know why you would play this. It’s trippy without purpose or rules, and by the end felt like I was having a headache. If you have to run a Call of Cthulhu game, and have no idea how to describe things that are unseeable, this might be a decent placeholder. Otherwise, I’d say skip it.


Bestiary is far more “experimental writing prompt” than game. Look at semi-randomly generated pictures of monsters. Write something down. Rinse, repeat. That’s it. It’s amusing for like 5 minutes, but after that, feels pointless.

Sky Rogue

Blast through the air in a minimalistic flight game/dog fight game.

I like to beat games before I write about them. I have not beaten Sky Rogue, but I’m gonna write about it anyway. This is because I don’t think I’m going to beat it anytime soon.

Sky Rogue is a minimalist flight sim and dog fighter, where you select from a set of colorful planes, load them out with enough weaponry to wipe out a small country, and then proceed to blow up repeatedly when you fail to accurately estimate the distance between you and the ground. Or you and the hanger you’re trying to bomb. Or you and the two enemy drones with chainguns. Or a surface to air missile turret.

Your experience may vary.

What I’ve learned primarily from Sky Rogue is that I am very bad at flight sims, even those of the most simplified kind, and even if I can usually finish a run of a roguelike, Sky Rogue demands a level of execution that I currently don’t have. If I beat it at some point in the next week, I’ll update this article.

So, what’s the loop then? As the name would suggest, Sky Rogue is a roguelike. The roguelike element is primarily present in the set of unlockable planes and weapons. While unlocking equipment is permanent between runs, the upgrades you purchase with cash for your planes and gear are not. There are two main resources:

  • Tech, which persists between runs and functions as a sort of exp for unlocking more equipment/planes.
  • Cash, which is lost and death and is used to upgrade gear during a run.

As far as roguelike elements go, it’s pretty minimal. Missions and environments are randomly generated, and upgrades are lost on death, but you don’t really have to scavenge for parts or weapons. Destroying enemy structures and planes during a mission grants cash, which can be spent on upgrading the planes or equipment of your choice. Most of the upgrades I’ve seen so far have been primarily numerical, i.e., extra capacity, damage, or targeting range. This meant I usually just upgraded whatever gear I was using, instead of being forced to adapt my run based on pickups.

In addition, you can fully heal and re-arm at any point during a level by returning to base (as long as you haven’t completed the mission), so there’s not as much resource conservation as there might be in something like Dead Cells or Slay the Spire.

So we have a roguelike with permanent unlocks and weapon configuration, free health refills, and a wide selection of gear. In theory this would be easy, which brings us to actual gameplay: flying your plane around, and in my case, into things.

One of the things I was hoping to find in the racial justice bundle was exposure to a bunch of games and mechanics that I wouldn’t otherwise engage with. I’ll be honest, I mostly expected to find narrative games, dating sims, that sorta stuff. Instead, I’ve gotten my ass repeatedly handed to me on each of my runs of Sky Rogue. I’ve gotten about half way through what I think consists of a full run, and I’ve gotten to the first big “Boss” once. It wrecked me.

If I had to give any advice to anyone else tempted to play the game as the result of this review, it would be the following:

  1. Turn off arcade mode. While it might feel better at first, it ultimately prevents you from flipping yourself over, and doing other tricky flight things.
  2. This game is probably better with a flight stick. I wouldn’t know. I don’t own one.
  3. Spam the flares.

Sky Rogue is $20 on, and Steam. The team does have a little blurb noting that if you buy it on, they get more of the money, and you can still get a Steam key if you buy it there.

As 2020 continues to be some sort of Twilight Zone or Tales From The Crypt anthology of garbage, stay safe, wear a mask, and take care of each other. I’ll update this article if I ever beat Sky Rogue.