Category: Co-Op

Nobody Saves The World

Nobody Saves The World is great, and you should play it.

Nobody saves the world is pretty great. Between its use of its ability combo and form swapping mechanics, I found it to be an incredibly fun game. The only problem I have with the gameplay is that it mouse/keyboard simply doesn’t play well. A controller is basically required. Otherwise I had a fantastic time with it.

Nobody Saves the World is played from a top down perspective, where you take on the role of the Nobody, a short, blank eyed sort of blob person with no memories of their past. After waking up in a dilapidated shack, and “borrowing” a magic wand from the home of the great wizard Nostramagnus, you set off on a quest to find Nostramagnus, save the world, and figure out how exactly you got here in the first place.

I was gonna post a real zoomed out picture of the world map, but then I realized since this was from my NG+ file, it gave some pretty massive spoilers. So have a smaller one instead.

The magic wand you ‘borrowed’ ends up being the key to all of this, granting you the ability to shift forms. You start out only being able to swap between your pale blobby self and a rat that’s somehow still better in combat than your blobby self. But you’ll start to unlock more forms fairly quickly, such as Knight, Ranger, Magician (the rabbit-from-hat kind) and Egg.

There are 18 total forms available, of which I’d say 17 are meaningful and useful. (Plot twist: the useless one isn’t egg.)

There are two big things about the transformation system in Nobody Saves The World that I like, but explaining them is going to require a little bit more discussion of the other half of the game’s title: the “Saves The World” bit.

See, it turns out that two big problems have popped up at about the same time. The first problem is that the great wizard Nostramagnus who you “borrowed” the magic wand from has disappeared. The second problem is that a giant hivemind flesh blob thing called the Calamity has showed up and is trying to eat the entire world. Presumably Nostramagnus would deal with this if he wasn’t missing.

Anyway, since you have the magic wand, a few other characters decide that you might as well help collect pieces of the gem needed to reseal the Calamity, while they search for Nostramagnus before the world gets treated like a buffet.

Finding these gem pieces, all of which have ended up in large dungeons around the world, sealed by wand stars, is your primary goal. In order to unlock the dungeons, you’ll need to get enough wand stars, and occasionally convince the people guarding these places to let you in. As it turns out, “I am a very legitimate individual, let me through” is actually a pretty terrible way to get into a sacred mausoleum.

The Headquarters of the New League of Wizards. (The New LOW)

I think that’s enough background to give a good picture of the game’s primary gameplay loop. Explore to find locked dungeons, towns, and other stuff. Do side quests and mini-quests to get more wand stars, and unlock the game’s main dungeons. Clear the main dungeons to get MacGuffins to advance the story, giving you more areas to explore. I don’t think explanation quite does justice to how much fun doing all of the above is.

But anyway, remember when I mentioned several paragraphs ago that I like the game’s transformation system for two reasons? Let’s get back to that for a moment. A lot of games with transformation systems seem to use them as glorified keys. Turn into a penguin for the ice zone. Turn into a ninja for the stealth zone. Turn into a cop for the donut zone. But outside of the respective zones, each of those forms is often fairly useless.

NSTW doesn’t do that. While there are a few situations for where you need a form to travel, even those tend to be fairly open (i.e., if you need to get over a large body of water, the turtle, ghost, dragon or mermaid are all equally viable.) But the meat of the transformation system is all about combat, and it feels fantastic.

Form swapping can be done from both the menu screen, and by using the scroll wheel on the fly.

NSTW resembles an action RPG. Each form in Nobody Saves the World has a basic attack, and a passive ability, in addition to its base stats. These two abilities are locked onto that form, and they are fairly varied. As an example, the horse’s basic attack is a kick that hits behind the it, while the slug’s basic attack is a series of small projectiles that are fired after a brief charge time. The strongman has large slow attack that hits most of the area in front of him, while the ranger fires arrows. All these basic attacks regenerate mana when they hit an enemy.

But the forms aren’t limited to these attacks. As you rank up a form by completing its quests, you’ll unlock additional attacks, and when you hit various thresholds for just leveling in general, you’ll unlock additional passive slots.

Both the additional attack slots and passive slots aren’t locked however. You can switch them out with the attacks and passives of other forms that you’ve unlocked.

My maximum zoom horse loadout.

Here’s an example: the slug has one of the lowest base movement speeds in the game, but gets access to an ability that grants it 150% movement speed, and leaves a trail of slime on the ground behind it. You could equip the slug with the generic ability that raises its base movement speed to flat value that can’t be lowered. But you could also take that speed boost ability and put it onto the horse, who has one of the fastest movement speeds in the game, boosting its speed to ridiculous amounts, and traverse the map exceedingly fast. Of course, that still risks you running out of mana, so you’ll equip the ability that lets us spend health as mana, and now you have a turbocharged horse leaving a trail of slime behind it as it rockets across the map.

Maybe that’s not good enough though. Perhaps you want to add the strongman’s passive that makes it so that whenever you would bump into an enemy while slime sliding, you knock them back and deal damage to them if they collide with anything. Maybe you want to add the rat’s passive to build poison on hit, or the dragon’s that increases crit chance against the already slowed enemies.

Nobody Saves the World is absolutely chock full of interactions like this, and it encourages you to use them. Every single form has uses, and is fun to play, giving you a heavy amount of customization while also keeping the forms different through their built in basic attacks, and single locked passive.

And perhaps most importantly, Nobody Saves The World knows this, and it tries to show you these combos and tricks. Many of the quests to rank up a form require you to do something that the form’s basic skills won’t allow, and you have to figure out how to mix and match to best meet that requirement.

In addition, not every trick will work in every dungeon. Some dungeons won’t have healing items. Some dungeons will have enemies that are status immune. In one particularly interesting one, all damage dealt both from and to enemies is multiplied by 9,999, and this dungeon isn’t a gag or a joke! It’s a puzzle to be solved with clever ability usage and munchkin tactics.

There’s a few parts to the combat system I’m not even covering here, such as status effects and elemental wards, but I want to talk about another thing the game does as well.

Purely on its combat alone, Nobody Saves The World would be great. However, in addition to that, it has some incredible art, and great writing. The feel of the world reminds me of something like Gravity Falls: a bright, vibrant place but with some bite to it. There are a lot of fairly funny moments, and also a few pretty powerful ones.

Okay, so let’s wrap this up.

I personally think that the highest form of praise that can be given to any piece of media is to engage with it, and for games that means playing it. For Nobody Saves the World, I played through the whole game, and then started the game’s New Game+ mode, and played through all of that. I’ve hit the game’s level cap, gotten every single Steam achievement, and completed every quest. The game is just incredibly fun, and the world, writing and art is so good that I went out of my way to play the whole thing twice.

Nobody Saves the World is available on Steam, and various consoles. It’s like $25, and its absolutely worth it.

PS: For anyone wondering how the egg could possibly be useful… Despite its incredibly low stats, it has a self heal ability. The heal doesn’t heal too much HP, BUT when you shift forms, your HP % stays the same, and if you equip the “Spend life as mana” passive, you heal more than you take. So you can switch to the egg, heal up to full, and then switch back to another form and be back at max health.

PPS: The second highest form of praise (and probably the first highest if you’re actually the developer) is buying the game for other people. I did that too.

Back 4 Blood

A unique Co-op First Person Shooter with Roguelite Deck Building for progression, with modernized Left 4 Dead-esque gameplay, and Counter-Strike-esque Item Shop by Turtle Rock Studios (TRS). 

Author Note: I’ve played a lot of zombie shooters, including World War Z, Call of Duty Zombies, Zombie Army 4, State of Decay 2, and of course Left 4 Dead 1 and 2. As you might guess, I kinda like the genre.

If you’ve never played a zombie shooter before, the general gameplay loop is something like the following: you and several of your friends are dropped into the start of the level. You’re given guns, a few medkits, and “Good Luck!” and tossed out into the apocalypse. You start in some form of safe area, and your goal is to get to another safe area. Along the way, you’ll be attacked by wave after wave of zombies who want to get their hands on your delicious face meat. Different entries in the genre handle things like when waves of zombies spawn, special super zombies, ammo, and importance of individual performance vs teamwork differently. Groundwork set, so lets talk about Back 4 Blood.

Back 4 Blood is the most polarizing zombie shooter I’ve played. I can attest that you will either love it or hate it. At launch it had a lot of problems with bugs and difficulty scaling; however the current patch fixed most issues. As such, I will be judging the game in its current form as of the Dec. 17th update.

Technically, Back 4 Blood offers two different game modes. There are co-op campaigns through 4 different acts, as well as a PVP mode called Swarm Mode. I think Swarm Mode is an awful experience. If you’re looking for PVP look elsewhere. This game ain’t it. The rest of this paragraph is going to be a short list of why it sucks, but then we’re gonna just ignore it for the rest of the article.  Swarm mode suffers from too much downtime between rounds, small map size, and frequent disconnects from either side due to just not being fun.

The PvE experience however is great. It offers high replayability with enormous build diversity and almost infinite skill ceiling in that you can always learn a new thing or two every time you play.

The game offers three difficulties: Recruit, Veteran, and Nightmare. Compared to other games’ difficulties these are comparable to Normal, Hard, and Insane. Nightmare is substantially harder than Veteran. The general progression path for all players is that you complete all missions through Recruit, then grind Veteran until you have enough progression unlocked to handle Nightmare difficulty. The main differences between the modes are the typical numeric difficulty scaling. Enemies hit harder, have more health, and more of them. The only big difference between them though is corruption card system.  

Corruption cards add modifiers to change up attack patterns or defenses of the zombies. This can include the zombies getting armored plating to negate bullets, having no weak points, or auras to buff allies around them. This adds a lot of variety to the missions. You can go through the same mission, but have a vastly different experience based on what the AI director through against you with this Corruption card system. It could be common zombies explode on headshot for acid damage, which would incentivize more area of effect weapons like Molotov’s or barbed wire to slow them. Of couse, the AI isn’t the only one who gets neat cards. Back 4 Bloods biggest twist on the genre is its Deck System. 

To build a deck, a player selects up to 15 cards to put into one, names it, then selects it and a character at the start of a level when joining a game. Order of cards matters in your deck. Your first card you will always have, but the order you pick from then on is somewhat flexible. For example on the first mission of act 1, you start with your first card but then you get a choice from one of your cards in order of 2 through 6.

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This allows you to build the deck in such a way where you can put cards in to counter certain corruption card modifiers on your current run. For example, there are quite a few corruption cards that reduce line of sight via fog, toxic gas, or lack of lights; you can counter this with the card “Marked for Death” which allows you to highlight a red outline of special ridden while multiplying the damage your team does to them by 10%. No one player however can cover all contingencies; but a team can. There are lots of different strategies to deck-building because you can try to create a jack of all trades that can react well to everything, or you can go hyper specialized. The Deck System is complex because most games don’t offer this level of choice in customizing your character in a co-op shooter. You can make hyper specialized character roles, like melee, healer, reviver, sniper, loot find builds, grenadier, etc. or a hybrid between them. Each of the characters has a unique card (see above) which generally provides a unique buff to them as well as a buff to the team such as move speed or extra lives, etc. All characters are viable and usually have unique roles they best excel at. Depending on the campaign you start with a different amount of cards(see below), but you always gain 1 card per level from your deck.

I’m uncertain what is “optimal” but I can confirm that most cards are viable in some build up to veteran difficulty.  Once you get to nightmare difficulty I’d say it is reduced to around 20% of the cards.

You get more cards for your deck by unlocking supply lines with supply points. You get supply points from completing missions. The top supply line is mostly damage cards, middle supply line is mostly support cards, while the bottom supply line is melee/utility/copper find cards. All supply lines are mixed with cosmetics to unlock as you play.

That is not necessarily to say that you can’t win without cards, just that it’s significantly easier with using the “best” cards. Still, all the cards in the world are nothing in comparison to having a good coordinated squad. I recommend joining a discord group because this game truly shines with a four man squad on voice comms. I’ve beat nightmare using exclusively in-game matchmaking on nightmare but prepare for lots of failed runs if you choose to do so.

For solo queue meta, the best decks I run with use the same 2 or so damage cards (Glass Cannon 25%damage/ Hyper Focused for 50% Weakspot Damage),  2 or 3 mobility (Run Like Hell for 12% move speed is auto include for all builds) cards and the rest goes to your role. The only role that deviates from this rule is melee, they will be a little weak early game but they are the kingpin to a group. Without melee to handle the common ridden you won’t have ammo to kill the specials or bosses. Pure economy builds based on copper gain or loot find are too slow to come online to be viable as Nightmare runs are reduced from checkpoint to checkpoint and rarely completing a full act in one sitting.

Here below are the decks I’ve used for my nightmare runs. Even though you lay out the cards you pick up 1-15, you don’t have to choose that way, for some runs you’ll react to what the corruption card is for that mission and prioritize getting different cards first. Generally speaking though I will prioritize 2 damage cards always, if the team is doing poorly I’ll get cards that aid the team such as Needs of the Many for extra lives, otherwise I’ll focus immediately on more selfish cards. 

 In the most recent December update they added a new type of one-use-per-level card called “Burn” Cards which apply a buff for one mission in any act campaign you are playing in. They cost on average 50 supply points, which is steep for beginning players. If you are a new player just ignore the burn card supply line and focus on unlocking all the other cards first. This feature is good because it allows you to take out some randomness in the game, for example if you are a LMG build, you can use a burn card to guarantee a LMG for your character at the start of your mission.

I was iffy on burn cards and this following statement is speculation; I am concerned at how easy it would be for TRS to turn Burn Cards into microtransactions where you buy supply points with real cash, so you can apply those buffs every mission for a campaign. The same could be said of regular cards as well. If such a thing happens though I feel like most players would drop this game. TRS are definitely treading a fine line with the introduction of burn cards. In its current state however it is an amazing addition to the game. Here below are some of the burn cards. 

Core Game Flaws in summary: 

  1. Supply Point Acquisition is ergo the rate at which you unlock stuff is too slow, also no points gained from losses is unnecessarily punishing.   
  2. Not being able to see allied players’ decks to strategize accordingly.
  3. New Player experience is mediocre for 6 hours at least which is intolerable for any game. For any casual player that is at least a week before the game gets “good”.  
  4. Swarm PVP sounds good conceptually as contests to who can hold out longest, but all the downtime between rounds and in practice feels awful to play with random Battle Royale Circle of gas closing in. Left 4 Dead definitely had the formula right with PVP through the regular campaign.  
  5. For Back 4 Blood the ratio between common zombies and mutants is around 75:25 where most zombie shooters are closer to 95:5 so the game feels more special hunting than massive hordes of zombies like most other games in the genre. 
  6. Lots of bosses with Big Health bars appear in the different missions, more than half the time the proper thing to do is just ignore them and run. The UI does a disservice in that all gamers have been trained for generations to see a big HP bar and kill it, not run. It’s a tough call though and I understand it’s useful for a player to know at a glance how close a boss is to being dead. 
  7. Map objectives are sometimes unclear, lots of levels have parts to them where they spawn endless hordes of zombies until you reach some area. An objective indicator stating such would be nice. 
  8. Back 4 Blood failed the silhouette test which is how easily can one spot the difference between the mutant ridden variants based on shape outline alone. In Left 4 Dead you can tell at a glance between Boomer, Smoker, Hunter, but in Back 4 Blood that only applies between the first level special mutant ridden. You can tell the difference between  “Tall Boys”, “Stingers”, and  “Reekers” however most of the variants of each are subtly different which in the heat of battle are harder to distinguish. For example the visual difference between a tall boy and bruiser is that a bruiser is spikier on the arm, but a bruiser has substantially more HP. Generally speaking when you play enough you learn anyways but I feel more could have been done to differentiate between them all to uphold the silhouette test more clearly. 

Core Game Pros in summary: 

  1. Corruption System/Deck Card Roguelite system feels amazing
    1. Makes every run feel different and promotes experimentation with different strategies accordingly.
    2. Enables players to feel powerful towards the end of runs in ways no other in the genre successfully captures. 
    3. Allows players to finetune decks to cater to a specific playstyle that they enjoy rather than forcing each player to play only one way. There probably is an “optimal” deck for each campaign section and each role but most cards are competitively viable for a given role and feel impactful. 
  2. Highly replayable level design is great in that it’s still linear so you don’t get lost but complex enough where there are a lot of little things to learn even when you’ve played the level twenty times.
  3.  Cosmetics are all unlockable via in-game progression, and not with microtransactions aside from launch edition bundles of 4 skins. This will probably change, but on the whole is a sight for sore eyes in a world where everything is like 10 dollars a skin in the rest of the world in AAA gaming. 
  4. Monthly Patching keeps things fresh and exciting. The november update killed this game with heavy nerfs and ridiculous special spawn rate bugs, but they redeemed most of the problems with the december update with burn card system, and buffs to cards, while nerfing speedrun strategies. When speedrunning was exclusively the only way to play the game, it was just not fun and warranted nerfs. It’s still viable in coordinated group play but no longer required.  
  5. The corruption system that randomly buffs them throughout your campaign playthrough is a nice touch to keep you on your toes to change how you proceed through a level. This helps a ton with replayability, as you might gravitate to more bullet stumble type weapons to stagger armored ridden, or you could go for lighter faster firing weapons when they are all fast packing acid or fire heads.
  6. The item shop between missions in an act feels amazing. You are constantly torn between pooling enough coins together to buy a team upgrade for long term power, or biting the bullet and buying up max equipment like frag grenades to shred bosses, or other items. Adding economy as a facet of the game is a huge win for enabling a pause to strategize with the team, as well as extreme flexibility to different strategies for any level. While other games have economy mechanics, none are quite like this for the zombie shooter genre. 

At the end of the day I think if you like roguelites, and Left 4 Dead you will love Back 4 Blood. However, Back 4 Blood surprisingly isn’t a zombie shooter, like that’s the story flavor but gameplay wise it’s truly too different from everyone else. World War Z, Zombie Army 4, Call of Duty Zombies, Left 4 Dead are all games which nail the aesthetic of there are millions of these guys and you need to mow them down and get to that next safe room as soon as possible.

Back 4 Blood and State of Decay 2 play more into a slow proactive playstyle with few bursts of action and a focus on efficient resource use. The spice in Back 4 Blood is experimenting constantly with different card builds seeing what works and doesn’t work for you. Tailoring decks specific to each act ultimately. The power curve where you start weak, but over time become a god at your role is addicting in a way no other in the genre captures.

It’s possible you’re not sold on the game, which is understandable. I personally recommend playing Back 4 Blood on something like Xbox Game Pass first just to try it because the game is very polarizing. Some people love it, some people hate it, but no one comes out of it with a neutral opinion. 

Orna

Orna is an interesting augmented reality game, with an focus on the “Game” bit.

Orna is an augmented reality game in the general vein of Pokemon Go. Where Pokemon Go is heavy on the augmented reality and sometimes forgets to be a game, Orna remembers that AR games are supposed to actually be… well, games. In general, it functions as a semi-procedural RPG. There are monsters to fight, dungeons to explore, quest givers, inns, and shops.

You can filter what shows up on your map by what you’re looking for, including only showing enemies, or only showing larger bosses.

Like Pokemon Go, you have a sphere around you that dictates what you can interact with, and if you want your character to move, you need to move around in real life. The game world is overlaid on top of a world map, and you tap nearby things to interact with them.

Perhaps the biggest difference between Orna and most other augmented reality games I’ve seen is that Orna is focused on being a game. While combat starts out as a fairly simple affair, leveling up gives you the ability to unlock and switch between additional classes. The higher tier classes give access to additional skills, abilities, and skill slots, letting you bring more moves into battle.

For example, earlier in the game I had a thief who turned into a magic wielding wizard. I would buff myself up to be able to dodge attacks, then just stab people a bunch. After a while, I found that not having access to elemental abilities was making it harder to defeat certain enemies. So I switched over being more of caster.

Before I stopped playing, I’d rebuilt again into using physical damage, but casting low-mana cost spells to apply elemental damage of various types to my attacks, while trying to lock the enemy down with sleep and other status effects. This only worked because I’d unlocked a high enough tier class to bring in about 8 spells to battle, and ran a pet that had a chance to heal me each round, so I could just focus on damage and status effects. So there was quite a lot of build variety available to me.

You start out with just two skill slots, but you get more as you unlock higher tier classes.

The end result of all of this is a reasonably in depth system that, oddly enough, illustrates something to me that I hadn’t thought about too much before. Why do so many Augmented Reality games lack in-depth mechanics? The answer, I realized, is because outside of all this combat, you are at least in theory supposed to be playing this game while wandering around outside. In games with in-depth combat mechanics, combat actually requires attention and planning. Trying to play Orna and not walk into people/traffic/road signs is actually pretty tricky.

Instead, I often found myself pausing my walk in order to finish combat encounters or larger boss fights. Orna includes an auto-attack system to get through fights while not paying attention, but using it tended to result in me getting my ass handed to me. A level of attention and focus was necessary to actually win.

Most of the game’s secondary systems also run into a similar problem. There are dungeons, which are a longer gauntlet of battles, and you can’t pause or anything between. There’s the arena, where you face off against other players’ builds controlled by the AI. Both of these can be a bit tricky, and require you to actually be careful with your moves.

On the flip side, there are some systems that encourage moving around, at least a little bit. You get quests through daily random quests, from quest givers, or from other sources. Some quests just ask you to “explore” and walk a certain distance. In addition, there’s a territory capturing system that gives you bonuses for a time period for beating the mini-boss controlling an area.

No, the blue currency isn’t premium, it’s Orns, used to create various buildings and unlock new classes. But you can’t buy it with real money.

You can also construct various different types of shops and buildings to provide additional passive income, and other boosts and benefits. Some of these buildings can be seen and used by other players, while some can’t. But if you want you can choose to make the public ones private. In theory, this would let you wander around and discover other players’ structures, but in practice, I mostly just built everything in one place, and never left that area.

There are a bunch of other systems, including upgrading items, socketing gems into items, fishing, and various multiplayer raids, but I haven’t played around with them enough to really know what to say.

Look, this photo of my gear is just here to pad out the article.

And that’s a general overview of Orna. An interesting augmented reality game without excessive microtransaction bullshit, but which is sometimes a bit hard to play because of how many mechanics and systems work. Or at least, difficult to play while not getting hit by a truck.

If Orna sounds cool, or you want to play something that requires you to walk around a bit and isn’t Pokémon Go, you can find Orna on the Apple App Store and Google Play store if you just search the name. If you’re not sure, there’s more info on the game’s webpage here.

Operation: Tango

A very solid digital set of puzzle rooms with a vibrant 80’s spy movie/secret agent theme.

Author Note: Images in this article are from the Operation: Tango Press kit. It turns out getting nice images off a two player game on an ultra wide monitor is kind of a pain. I’d say they accurately reflect the look of the game.

Operation: Tango is a really cool asymmetric co-op puzzle game, where you play as one of two secret agents. And when I say “Co-Op,” I mean Co-Op. There is no single player option here. Good news is that you only need to own one copy of the game to play it with someone else on Steam, since they can just download the demo, and play the full game through that.

In Operation Tango, you and your friend take the role of two spies. One player is the Hacker, and one player is the Agent. The world has a “Futurist 80’s spy” vibe which is generally executed exceedingly well with bright colors, flashy outfits and locales, and clean UI for the puzzles.

Working together with your partner in anti-crime, you’ll need to make your way through a series of missions, each with a varied set of objectives and goals. While the game does require coordination and timing to be successful, not all puzzles are on timers, and even those that are tend to be generous, giving an illusion of intensity while offering far more time than might otherwise be obvious.

Because of its whole thing, most of the puzzles in Operation Tango that I saw don’t really fall into any single consistent pattern that can be used to describe them, outside of the idea of relying on asymmetric information. So I’m just going to go through a few that I remember and liked, to give a general sense of the vibe.

One mission has one player effectively playing an infinite runner while the other player feeds them information and call outs, while moving obstacles out of their way, healing them, and managing the rest of the interface. Others involve disabling security drones and cameras so that the other player can get by. There are a few re-used elements, such as lock picking, but those tend to amp up in difficulty as you progress.

My one big criticism would be that the game does suffer from a bit of a breakdown near the end. The last mission in the game is by far the weakest one in my opinion, and feels like the designers took 2 half finished missions and smashed them together to make a single level. To quote the person I played with, the finale felt like a worse version of Keep Talking and Nobody Explodes, and there’s a section in the previous level that is more or less just Spaceteam. With that said, the rest of the game is much stronger, and much more fun.

The game also doesn’t necessarily lend itself well to replayability once you’ve done a level as both roles. While the game does its best to randomize various elements of any given puzzle, once you understand the rules in play for a given puzzle, they’re mostly solved. Looking around to search for clues or ideas was the most enjoyable part of the game, and when you know what you’re looking for, it’s a lot less of a “Secret Agent” infiltrating a building, and more “Puzzle Speedrunning.”

Still though, Operation: Tango was one of my favorite demos from PAX East for a reason, and the full game feels like it delivers on the promise of the demo. Because of what the game offers, and because of the fact that only one person has to buy the game, I feel comfortable recommending it. If this article hasn’t persuaded you, I suggest you grab a friend, pull down the demo, and see what you think.

Good luck out there agent.

Halo: Infinite – Multiplayer

The actual gameplay is great. Everything else feels half-baked.

When actually playing the Halo: Infinite multiplayer, it’s fantastic and an incredibly enjoyable experience. Everything that isn’t actually playing the game, though, kind of sucks.

Halo: Infinite is the 6th mainline entry in the Halo series. Or something like that. I guess we also have Halo: Reach, and Halo: MCC? But Halo: MCC is a remake, sorta, and Halo 5 should never have been released. So with a bit of creative math, we can pretend that Halo: Infinite is the 6th game. Whatever, I’ll probably edit this bit out later, so it doesn’t matter. The point is, Halo has been around a long time.

If you’ve somehow never heard of or played Halo, this next bit is for you. For everyone else, please skip ahead.

Halo Crash Course

Halo is a first person shooter, developed originally by Bungie, but the series is owned by Microsoft at this point. Currently the series is developed by 343 Industries. It has both multiplayer and single player components. For the purpose of today’s review, we’re just looking at the multiplayer portion. As far as first person shooters go, there are three main things that differentiate Halo from other FPS games: the health system, the guns/gunplay itself, and the generally higher time to kill. All three of these are somewhat present, so we’ll cover their presence and implementation in Halo:Infinite. We’ll cover them quickly here.

  1. Health System – Players in Infinite have two types of “Health:” these are Health and Shields. While a player has shields, all damage dealt is equivalent, regardless of where the shot lands. Bodyshot vs headshot makes no difference while a player still has shields, but the second the shields go down, headshots are meaningful again. Both health and shields start to regenerate after several seconds out of combat.
  2. Guns/Gunplay – All guns are not made equal. When a player spawns in, they either get an assault rifle and pistol in unranked modes, or the DMR in ranked modes, and 2 grenades. There are no loadouts or secondary options in Infinite. Instead, there are weapons spawns scattered around the map. The length of time it takes for a weapon to respawn ranges from fairly short, to a sizable portion of time for the game’s Power Weapons. Power Weapons have fairly low amounts of ammo, in exchange for being incredibly destructive and often being able to one-shot other players. They include the classic rocket launcher, and the sniper rifle, along with new additions such as the skewer, and cindershot. You can only carry two weapons at once.
  3. Time to Kill – Generally speaking, it takes far longer to shoot someone to death in Halo then it does in other similar games. Unlike games like Valorant or Call of Duty, where getting the drop means you just win the fight, engagements in Halo tend to be more prolonged events where you actually get a chance to respond.

Okay, so these are the main things that differentiate Halo in terms of gameplay feel from other entries in the FPS genre. Crash course complete. So now let’s actually talk about Infinite.

The Good Stuff About Halo Infinite

Price – The Halo: Infinite multiplayer is free.
Not having to pay any money for something is almost always good. Of course, it also means that the game is going to try to get it back from you somehow, but at time of writing their are no in-game advantages that can be gained by spending money.
Guns – They’re good, and they feel good.
It’s that simple. With the exception of the shotgun (which feels bad), and the plasma pistol (which has always been garbage), everything here feels good to use. The assault rifle isn’t trash for once. The pistol is solid as a secondary, and the new weapons like the Hydra have some cool alternate fire modes. The skewer is a rocket propelled crossbow. The cindershot fires big blasts of plasma. The ravager needs its shots charged, but has some really cool area denial options.
Maps – They’re all fairly solid, and feel good. They do get re-used a decent amount, but they all feel good to play on, regardless of game mode. There’s no map that feels unbalanced or completely broken.

The Bad Stuff About Halo Infinite

Maps – Not enough of them.
Wait, maps was just up above in the “Good Stuff Category.” Why is it here? Easy. There are currently only 10 of them. Three 12v12 maps, and seven 4v4 maps.

A friend said that Halo 2 shipped with like 20 or so. So why is this shipping with 10?

Performance – Long loading times are too god damn long.
Exactly what it says on the tin. It takes me just about 2 minutes to go from clicking the “Play Button” to the point where I can actually move around and fight someone. I have no idea why these load times are so long, and this is on a 1080, but it’s still annoying.

Playlists – There are only 3 of them.
Probably the biggest issue on this list, honestly. Right now, the only playlists that you can choose from are 4v4, 12v12, and ranked. And that’s it. No team slayer, no CTF. The only thing you choose is how many people are in a given match you queue into. Look, I don’t want to play Total Control. It’s a shit game mode. Let me opt out of it. Let me make custom playlists. Let fiesta be an actual normal game type instead of a special mode.

Cosmetics/Microtransactions – Price is high, grind is too.
This is the thing that’s gotten the most media attention and player frustration. Frankly, I think it’s the lowest priority item on this list. Yes, 15 dollars for a skin is stupid. Yes, 20 games per level in the battlepass was dumb. But these are all additional little flexes/addons. They aren’t where I would be focusing my efforts if I wanted to make Infinite more enjoyable right now.

Conclusion: I’m not quite sure yet.
Halo: Infinite being free is nice, but I found myself asking “How much would I pay for this right now?” and the answer is “Not fucking $60.” What currently exists really feels like a networking test, or a bit half-baked at the moment. Right now my advice would be something like this:

If you like Halo, download and play Infinite until you stop having fun with it, and maybe come back in a few months to see if the content and performance issues have been fixed. If you don’t like Halo, but want to play a Halo game/FPS, buy the Master Chief Collection instead. Yes, MCC is $40 for the full package, or $10 per game if you want to buy them bit by bit, but they’ve got the full single player campaigns, forge, and all the other good stuff that makes Halo… well, Halo.