Category: Board Games

Brightcast

I love Brightcast. It was my favorite new game from PAX Unplugged last year, and it’s easily my most played game from the show. I’ve brought it with me to pretty much every event I’ve gone to, from weekly Magic, to PAX East.

I’ve showed it off to the local LGS’s I go to, and convinced at least one of them to stock it. I’ve done everything in my power to show it to more people… except actually write a review.

So we’re gonna correct that now.

The Game

Brightcast is a 1v1 dueling game. There’s no asymmetry. Both you and your opponent are working with the same set of tools: six copies of each of Spellcasters, two copies of the dragon, and two copies of the Alchemist. You each get a single deck of 34 cards of 7 different types.

Let’s start with the Spellcasters, since they’re how you actually win. There are five spellcasters: the Sage, the Warlock, the Druid, the Sorcerer, and Wizard. In order to win, you need to collect either one of each, or five copies of a single one into your tableau.

How do you do this? Well, it’s quite simple. On your turn, draw a card, then pick a card from you hand to add to play. You get its effect, and if it’s a Spellcaster, you then add it to your tableau. (You can alternatively choose to draw a second card instead of playing a card, but you usually don’t want to.)

Let’s talk about their effects. The Sorcerer is the simplest, destroying a single card in your opponent’s tableau when played. The Warlock works a bit in reverse, returning a single card from your discard pile to your hand. The Sage draws you two more cards, then requires that you discard 1, while the Druid makes your opponent reveal their hand and discard a card of your choosing. And then there’s the Wizard.

The Wizard is a bit special. You can play the Wizard from your hand and just draw one card. Or—and this is what you’ll want to be doing most of the time— when your opponent plays a card, you can discard a Wizard and a copy of the card your opponent played to block their play. Sure, it’s a two-for-one, but it can be worth it to slow your opponent down.

Then there are the last two card types: The Dragon and Alchemist.

When you play the Dragon, you can destroy up to 3 cards from your opponent’s tableau. When you play the Alchemist, you can copy the effect of a Spellcaster you already have in play in your tableau. Both of these are obviously a fair bit more powerful then the other cards, and as such they don’t go into the Tableau, and they also can’t be recovered with the Warlock.

Why I love it

Okay, so that was a lot of rules text, but importantly, that’s also pretty much all of the rules. You could take everything I wrote up above, make your own copy of Brightcast, and play it reasonably accurately. It’s the sort of game you can teach to someone in five minutes, and play multiple games for the next 45.

Because despite that simplicity, Brightcast offers a lot of interesting choices. Do I play my dragon, knowing they might pull it out of my hand with a druid, or do I try to hold it for the perfect moment? Do I play Sage after Sage, trying to get all five out quickly? Should I daisy chain warlocks into having a bit of a buffer for completing a set of five, or just grab back a Druid to pull their Sorcerer out of their hand?

I could go on! I won’t. But I could!

Brightcast fits into a similar space as Tiger and Dragon for me. It’s not a full course meal on its own. But it’s the sort of thing that you can slip in a game of anywhere, or teach to a complete stranger. I’ve played a fair amount of it in between Magic games, or while while waiting for events to start.

There’s a fascinating set of decision points from an incredibly simple set of cards, and it’s fun enough to play over and over. Also, and I’ll say this again, the art is just incredible.

Overall

The back of Brightcast describes it as “Deceptively simple, secretly deep” and I can’t think of a better descriptor. It’s quick to learn, and offers a interesting play choices all throughout the game. If you like Magic: The Gathering, or clever dueling games, I highly suggest trying Brightcast.

Who knows. Maybe you’ll become as much of an evangelist for it as I have.

Quick Note: Brightcast is currently only available from direct retailers, so the best way to get a copy is to ask your LGS to stock it, or check if they already have it available. If you’re up in New Hampshire like me, The Fourth Place has some copies.

A Quick Rant on 1 Star Board Game Geek Reviews

A while ago, a friend of mine had just released a game, and was doing what all board game designers (as far as I’m aware) do post game release: stare in frustration at the ratings on Board Game Geek.

The particular source of his frustration was a that the game had been rated with a 1 by someone who clearly didn’t own the game, and couldn’t have possibly played the game at the time. Shortly after he mentioned the whole thing to me.

We quickly discussed various reasons that players will do this, and there was a smattering of the usual ones. Review bombing a game for ideological reasons. Rating a game that is rated “too highly” to bring the score down. Fights or problems with a publisher.

It was at this point that I asked him if he’d just asked this person why they’d given him a 1. He had not.

So messaged them. I’ll be referring to the rater as “Tim.”

Reaching Out

After looking at the profile for a bit, I quickly noticed that it had a very odd distribution of ratings. Virtually all of them were 1’s, with a smattering of 7-10’s, but the 1’s MASSIVELY outweighed the 10’s.

So I messaged Tim, and asked them about their rating system for games. After a brief back and fourth, they responded, and I found their answer surprising.

The Big Surprise

The first thing was that Tim was not a single person, and instead was a group of players who used the account to collaboratively track plays and games for their gaming club.

The second was that when they “rated” a game, they were not rating it based on playing it. They were giving a rating based on how they felt as a group, and if they wanted to order it for the group. So a game that wasn’t bad might receive a 1 for the reason that nobody in the group was interested in trying it. This was especially common for games that the group considered too simple, or didn’t have the right player count.

There’s also one specific quote I want to pull out from their response, that I found quite telling.

Regarding the not yet released (games) – we consider ourselves enough experienced so we do not need to play the game to know that it is not for us – one text or video review is more than enough.

This is not an approach I would ever take, but I appreciated the clarity, and I think it gives insight on why this person had such a high number of low-rated games.

I thanked them for their response, and moved on.

The Takeaways

The general vibe I have gotten from designers when discussing what I’d generally consider to be unusually low ratings is a sense that they’re being targeted in some way or another.

There absolutely are folks in board game spaces who do what I’d call “hateful reviews.” The folks who hate others based on their sexual orientation, gender, race, etc. The whole nine yards. And because they exist in board game spaces, they also exist on Board Game Geek. And they will rate games badly as a way to harass and attack people.

There are also folks who are picky or petty. They’ll rate a game low because a component was damaged. Or because it was rated too highly. Or it was shipped to reviewers before Kickstarter backers. Or any number of a variety of other things that I’d personally consider mundane and irrelevant to the experience of the game.

But I think there is also a third category of folks who are just doing their own thing, and see nothing wrong with rating a game that they do not personally like much as a 1, and moving on.

Does this usually ruin that designer’s day? Yes! Do I have any idea how to fix this problem?

Not a clue.

I don’t think many board game players recognize the impact ratings have on a game, or the folks who make them. At the same time, I’m not sure publishers and designers are interested in asking the less vocal folks who rate games weirdly why they’re doing it, when all available evidence (to them!) labels those folks as hateful or petty.

Gem Blenders Review

I’ve been keeping an eye on Gem Blenders for the last few years at this point, and my opinions have been a bit mixed at times. I thought it was interesting the first time I played. I was also a bit dismayed last year to learn that they had completely switched their card back, preventing their “alpha” versions of the cards from being played with the modern cards last year.

That said, this year they were offering some free tournaments at PAX with Booster Boxes as the prizes. I’m nothing if not a sucker for cards, so I purchased a starter deck, threw myself into the games, and finally Gem Blenders clicked for me.

Of course, before I talk about that moment where everything clicked, let’s talk about how the rest of the game works.

Starting the Match

Gem Blenders is an indie TCG played between two players. Each player starts with a 50 card deck and 4 heroes. After arranging the heroes, choosing a starting player, and drawing hands of 7 cards, the heroes get flipped up and gameplay starts.

Gameplay Systems

Heroes make up the first part of Gem Blenders’ primary mechanics. They have some abilities, a position on the board, attack and defense stats, and a level. More on levels in a bit.

Of course, those attack and defense stats for starting heroes are almost all zeros, which is why you’ll want to play Blends onto them as quickly as possible. Blends are probably easiest to compare to Pokemon’s evolutions. You place them on top of a hero, and they replace it’s stats and abilities with their vastly more powerful own.

Blends can’t just be played out though. Instead, they can only be played onto heroes with a high enough level, and the correct gems already attached.

Gems serve as the Gem Blenders resource system. They’re played onto heroes, and they’re required for playing blends and activating certain abilities. Only one can be played per turn, and so the choice of which color to play, and what to do is pretty important.

Finally, there are actions cards. Action cards sit in a weird sort of parallel to the rest of the game. You can play any number per turn, but you can’t play more than five per game. Note that I said game, and not match. It’s going to be relevant in a moment.

Winning the Game

A “full” match of Gem Blenders technically consists of 3 games. The first game starts when the match starts, with both players having 20 life. Each turn, a player can choose to attack with their gems, and inflict damage to their opponent equal to each of their front row heroes’ attack minus the defense of the hero that they’re facing. When one player knocks another player down to zero health, the game ends, but the match doesn’t.

Instead, the player whose turn it was immediately ends, both players reset to 20 life, and reset the number of actions they can play, but the board state remains. It’s an interesting twist with some neat implications.

The Moment Things Clicked

I haven’t done a write up on Gem Blenders before because, frankly, I felt underwhelmed the first few times I played. The game felt slow, and a bit grindy with a lot of “draw, go” happening.

It wasn’t until I was playing it for prizes over the weekend that I finally understood what I’d been missing: Gem Blenders is all about knowing your play lines, and being able to forecast what needs to happen so that you can win.

Unlike a lot of Magic or Pokemon, where just slamming cards out will eventually lead to a resolution, playing like that in Gem Blenders will just lead to the game stalling out. Instead, you need to be looking at your hand, figuring out what pieces you need to fetch in order to assemble your deck’s core engine.

Let me give an example.

The deck I played over the PAX East mini-holidays was called Joy Holiday. It contains some cheap two gem blends, and a few more expensive ones. It’s entirely possible to play it in such a way that it gets out a Guard or two, maybe a Frost Herald. But that’s probably not the right choice.

Instead, it’s better to build up a board of Heralds, and use them in combination with Bishops to find the Joy Ringer and Yule Puffer, and combine those two together to either thrash your opponent’s health, or ramp yourself into the stratosphere.

But in order to do that, I had to recognize that this was my plan at the start of the game, and play towards it, instead of just playing cards as they came up.

Overall

There’s a lot of little things about Gem Blenders that are a bit weird. The art style is a mixed bag for a lot of folks I’ve shown the game to, and others don’t really want to play another TCG.

But there are also a lot of fun moments. The game doesn’t lend itself to huge amount of targeted removal, so there’s more of an opportunity to build up an engine and let it rip. And it’s a really fun puzzle to try to build your way out of difficult scenarios, or to make the right calls to keep a game alive.

Gem Blenders isn’t perfect, but it’s a fun sort of imperfect, like a karate fight in slow motion. I don’t think anyone needs to rush out to buy a booster box, but if you see it at a convention, and find yourself a bit put off by the artwork, give it a try anyway.

You might be surprised.

Tournament Arc

Partway through my last game of Tournament Arc, tragedy struck.

Mr. Bear transferred schools and was then immediately hit by a bus.

Obviously, this did not bode well for his odds in the hot dog eating competition (which was ultimately won by Bonk Dents, despite starting the game with most of their bones already broken).

More would be broken later.

Mr. Bear, and one of the folks I was playing with, moments before disaster.

These were just a few of the memorable events from my last game of Tournament Arc. A few other highlights included stacking three athletes on top of each other to make a single, suspiciously larger athlete, and the running favorite turning out to be their own evil clone.

All of which is to say: I like Tournament Arc. And if after reading the rest of this, you like the sounds of it as well, I encourage you to check out the Kickstarter, which will be launching on Tuesday, May 20th.

Tournament Arc is a light party game inspired by sports anime. After drafting a set of athletes, players take turns playing episode cards onto said athletes in attempt to prepare (or perhaps un-prepare them, when you start debuffing other players athletes) for The Big Sports Game.

What is the Big Game? Well, no one knows until partway through training, when the sport card gets flipped up. And even that is no guarantee it’s what they’ll actually be competing in, since some episode cards can change the sport.

This might sound like a bit of a chaotic mess, and honestly, that’s why I love it. The joy of tournament arc is in the incredibly wacky narrative it creates. Did someone make one of their players the coach’s favorite? Arrest the coach! Is one of your players suffering from insecurity? Well, that’s probably why they started doing steroids.

It’s very much a game about the journey, and not the destination. Especially when that journey involves someone being raised by Olympian parents who were also clowns.

I don’t have any real critiques of Tournament Arc. It’s a game about telling goofy anime-style stories, not one about the strategic decisions of running a coal mine in industrial Europe. The game is incredibly funny, the art is wonderfully cute. And it doesn’t play off “that” part of anime. You know. The one that makes you wince.

Tournament Arc is going to launch on Kickstarter on May 20th, 2025. If you like the sound of it, or are looking for a very funny party game, maybe check it out and help push it over the finish line. And if you’re not sure yet, you can learn more about it on the game’s website.

Also, quick shoutout to the folks at Little Creature!

Is a Jigsaw Puzzle a Game?

Occasionally I see a take on the internet, and get real twitchy about it for a moment. This morning, it was a post about if puzzles are board games. Thus the twitching began.

The first thing I want to ask is, “Why are we asking this question?” That’s not superfluous, or being rude, it’s an important distinction.

The first response to the original question on Bluesky links to the Board Game Geek game criteria page. It is a very nice page, and I especially enjoy how it puts puzzles out of scope in one moment, and then puts escape rooms, a collection of puzzles, back in scope paragraphs later.

But the BGG page has a specific purpose. They want to limit and filter what sorts of products end up on their website, because they do not want to just have a list of everything. It’s a valid reason to define what a board game is, and to decide that a puzzle is not a board game for their purposes.

Let’s look at two others real quick. A friend asks you to bring something for board game night. You bring a 500 piece jigsaw puzzle. Are folks going to be happy?

Probably depends on the friend group. But I’m leaning towards, “No.”

What about sorting things for a store? Do puzzles go with the board games? In my experience, often the answer is, “Yes,” though that might have more to do with packaging and distributor than content. But the last few times I’ve been in a store, the puzzles sit right next to the copies of Cards Against Humanity.

So going back to the original question, what I want to ask is: Why does it matter if a puzzle is a board game? Are you stocking a store? Giving a gift? Setting up a web page? Because that context is going to change the answer.

Why am I being twitchy about this?

I don’t like it when people define words around art and art adjacent spaces in such a way as to exclude certain things from being in that category. To do that, there needs to be a good reason for it.

The usual reason for folks doing that is to exclude a category of other people from being in their in-group. The prime example of this is “gamers” claiming that The Sims and Animal Crossing aren’t “real games,” but I’m sure their are plenty others. That’s not a good reason, it’s just being a gatekeeping asshole. Now, I don’t think the original question on Bluesky was posted to gatekeep. But gatekeeping is why my brain decided to do the record scratch noise, and spend 40 minutes on this garbage writeup.

This year at PAX East, I got a chance to meet some of the folks doing Speed Puzzling. Presumably the speed part is what elevates it to the level of board game, but it was something fun and neat that I’d never heard of before. It’s also something that would never show up on BGG.

I’d rather that board game enthusiasts had space for weird stuff that does not in fact conform to neat tables of rules, or perfect definitions. I’d rather we had more In Memory Of sorts of things.

Okay, but are puzzles board games?

A sandwich is a piece of meat between two slices of bread.

Is this a sandwich?

Which is to say: it doesn’t matter without additional context!

Someone who’s very hungry might be happy to have a hot dog after asking for a sandwich. Someone who catered a sandwich tray for a work event might be slightly less enthusiastic to receive sixty Costco hot dogs.