Phasmaphobia

Fun with friends, less fun just on your own.

This article has been rewritten multiple times. After playing 5 hours of Phasmaphobia, my conclusion was, “I hate it, and it’s buggy, dumb and boring.” I’ve now played 20 hours, and as you might guess I no longer hate it. That said, I have some problems with it. In brief, Phasmaphobia is fun to play with friends, but many of the mechanics are unintuitive (Wiki Ahoy!) and the game is still buggy. For right now, I’d only say it’s worth getting if you have a group of people to play it with.

Phasmaphobia is a ghost hunting game, except it follows more of a lite-simulation route than a gamey experience. You and up to 3 other people go out to a haunted location. Once there, you use the equipment you brought with you to try and find the ghost, and determine what type of ghost it is. You do this by walking around real slowly in a traditional first person view.

The equipment itself is all “traditional” ghost hunting equipment, such as EMF detectors, thermometers, cameras, sound sensors, and spirit boxes. There are also a variety of other things, such as crucifixes, salt, flashlights, smudging sticks, and ghost books.

The equipment addition menu. In Co-op, each player contributes gear up to a cap.

One thing to keep in mind is that not all ghosts respond the same way to all stimuli: e.g., some types will drop temperatures to freezing, while others won’t. Some are more active if multiple players are around, and some are not. Some give off EMF readings, and some just don’t. The main gameplay loop is to try to determine which type of ghost you’re dealing with based on the reactions you get from your equipment.

Between missions, you level up from surviving, and acquire cash based on your performance, taking photos of the ghost, and some other bonus objectives. This allows you to buy more equipment to hunt the ghost in the future. Equipment isn’t lost if you drop it/lose it, but it is lost if you die during the mission. While I think this could become annoying, I haven’t acquired enough cash for it to become a problem. Some of the other random players I played with though mentioned it frustrated them, and another mentioned that the “strat” is to have one person buy all the equipment, and then stay in the van, so you can’t lose anything.

If you’re a coward, you’ll spend a lot of time in the car, watching your friends die. LIKE SOME PEOPLE KYLE.

Oh, and you can play Phasmaphobia in VR.

I can’t group my problems with Phasmaphobia into one big overarching chunk or theme, so I’m just gonna list off everything about the game that annoys me.

Ed Note: I’ve edited the original version of this list. The list is accurate to my experience of playing the game, but I’ve updated various points with more information.

  1. The game has all the thrills and excitement of real life ghost hunting, which is to say none whatsoever. I don’t know who thinks wandering around a big ass building with all the lights off and waiting for something to happen is interesting. It really isn’t. If you’ve ever watched a ghost hunting show of some sort, you have seen the primary experience of Phasmaphobia, which is a bunch of folks wandering around a dark building, shouting things out, and then getting scared when the floorboard creaks. And because not every single type of ghost reacts to every type of equipment, and the limited inventory slots, it is entirely possible to search the entire building, and not find the ghost, and then have to go back and grab more equipment. UPDATE: While this is true at the lower difficulties, it’s much less true on larger maps, and higher difficulties where the ghost can begin hunting you much faster. The bit about equipment is also not true, as with more players and a strong plan of attack, you can sweep faster and move quicker.
  2. The controls are miserable. With mouse and keyboard, the ability to pick up and manipulate things feels extremely limited, and makes it very frustrating to do things like get cameras in good positions. I don’t actually know how to even light a candle in non-VR, since you can’t have a lighter and a candle out at the same time; you can only have one thing in your hand. UPDATE: You need to have the smudge stick out and press F while the lighter is in your inventory. You can also light them by using the lighter on a dropped smudge stick.
  3. The VR has one of the single worst movement implementations that I’ve ever seen in a VR game, and commits the number one sin of VR camera movement: You DO NOT have the player move in a way where the in-game camera moves, and the real life player stays still. This is how you make people sick. And this is exactly how Phasmaphobia does it. I wasn’t able to complete a single round before having to take off my headset and lie down for like 15 minutes, making Phasmaphobia the first VR game I’ve played to make me feel ill.
  4. The VR controls suck. This one honestly might be because I’m using a Vive, but the VR controls use the thumbpads for movement, and this includes just touching the thumbpads, not actually pressing on them. Every time I did so, the game started spinning me around or lurching me forward. I found it insanely frustrating. If you’re thinking “Well, just don’t touch the thumbpads,” I’d like to point out that you have to be able to move around, and in addition, because of the way you grip the controllers, you will almost always be touching the thumbpads.
  5. The game is buggy. If you try to load into a game, and the game doesn’t let everyone from your lobby load in, you’re gonna have to restart the game, and remake the whole lobby. Same thing could be said for the voice recognition. It’s cool, but it doesn’t always seem to actually, well, work. There isn’t really physics for any of the objects, and I’ve had situations where ghost types that are supposed to create freezing temperatures just… don’t. I’ve had situations where I can go into the building, shout myself blue in the face about the ghost, and have nothing happen. The second my two friends walk in, the ghost shows up, locks the building, and strangles one of them to death. This is for ghosts that the guide tells us are “Shy, and will only react to one person”. UPDATE: I’d say that some of this is still true, but the game has gotten updates that have made some things show up easier, and I’ve had less instances of crashes when attempting to load in. Generally speaking, the game feels much less clunky, but it also might partly be I know what I’m doing at this point.
The game assets and general vibe are honestly pretty “Purchased off the Unity store at best value” but I’m not very bothered by it. If you are the sort of person who needs nice graphics… this may not be for you.

So here’s the thing. Despite that above, I’m still playing and enjoying Phasmaphobia, but I feel like at least to an extent, it’s because I have a solid group of 2-3 other people to play with. Strategizing, planning, and looking for clues cooperatively is a really neat experience when it works the way it should, and the game is still fairly challenging for us with the larger maps. With that said, there are also still issues. Taking pictures of ghosts is incredibly hit or miss, running away from ghosts and hiding is kinda “eh”, and I honestly have no idea how crucifixes are supposed to work.

For the $14 cost of the game, I’d buy Phasmaphobia as long as I had a group of people to play it with, but if I was going in solo, I’d probably pass.

The ghost models are much more detailed than the player models, and because of the way they move, you won’t really have time to think of things other then “Oh fuck, oh shit”

Hades: A Game I Never Thought I Would Play

Hades has fun in spades

Let me preface this by saying two things: I’ve never enjoyed any of the roguelike/rogue-lite games I’ve ever tried and I’m also an extremely cheap person.

In the past I’ve tried games like Enter the Gungeon, Risk of Rain 2, and Immortal Redneck and just never enjoyed them. It might have been the lack of an interesting narrative, or of gameplay that really grabbed me. It’s also hard to justify spending $10+ dollars on these games when I could purchase other games I knew I’d like. So despite trying the aforementioned titles for a bit, I always ended up refunding them. Perhaps playing them for a bit longer might have changed my opinion about the games, but I don’t like forcing myself to try to have fun.

I’d been struggling to find a new game that I could put a good chunk of time into for about six to eight months. I’d end up in a loop of playing PUBG, Halo MCC, Valorant, and the occasional spree modding Skyrim, playing it for a bit, then forgetting about it. This was the loop I wanted to break free from.

Fast forward to September. I open up Steam, and a banner for Hades pops up. \ Greek mythology, fantastic artwork, soundtrack seems like a banger from the trailers, and “Overwhelmingly Positive” reviews galore! This looks like a great game! The trailer has me sold until one word pops up: roguelike.

Well, shit. It can’t be that bad right?

So I buy it, play it, die at the first boss, and refund it.

That could have been the end of it. But it wasn’t. I couldn’t get this game out of my head, (mostly because Steam kept slapping the banner in my face). So twenty-four hours after I returned it, I purchased it again, and decided to give it another shot. I’d just play it once more, I thought.

And then I didn’t stop.


The story of Hades is told through the interactions between the protagonist, Zagreus, the son of Hades, and those he meets along the way as he attempts to escape his father’s domain of the Greek Underworld. He has some, um, daddy issues and he would like to run away to Olympus. Yep, that’s basically the premise without any spoilers. Despite what my crappy synopsis might imply, the characters and story are complex and rich. Every character interaction either adds to the story, allows for character development, and/or is just plain funny. It’s exciting when you see a dialogue bubble pop up, informing you that someone has something new to say. The characters all have their own personalities, from the residents of the Underworld who want to keep Zagreus locked up, to the Olympian gods themselves, who are keen to see their nephew leave the Underworld and his father behind and ascend to Olympus. The voice acting is on point; as Yahtzee put it in his review, every character seems to be voiced by someone incredibly sexy in real life or an actor in a Bond movie.


The combat is incredibly smooth, responsive, varied, and so much fun. There are six weapons for you to choose from, once they are unlocked, and each comes with a unique play style and upgrades. Add to that the various “boons”, or power ups, presented by the Olympian gods and you have an incredible variety of builds you can use on any given run.

Each time you beat the game, you can increase the difficulty of your next run to not only be more challenging, but also increase the rewards you receive upon completing it. I found myself tinkering with different boons, weapons, upgrades, and difficulty modifiers a lot, with no intention of beating the game but just to see how viable the build would be.

Of course, doing so meant that I died, a lot.

Once you die, you show up at the House of Hades to be reprimanded by the God of Death himself, telling you that there is no escape. Eh, whatever daddy-o. All the resources that Zagreus gathered in the past run stay with him upon death, which you can use to increase his powers and abilities. This added RPG element ensures that you feel more powerful, more prepared for the next run. In addition, there are mini-story progressions and additional unlocked dialogues, even in death, which provides a small sense of advancement even in failure.

For all the praises that I’m rightfully singing for Hades, I wouldn’t call it perfect. The biggest issue I had was that once I found a working combination of weapon, boons, and upgrades, I found it fairly easy to beat the game by aiming to collect those boons and weapons. After my fifth or sixth run with the same build, it started to feel stale for me. Now this is partly own fault; I didn’t feel like trying to break out of a working formula, but I wished the game tried to encourage switching up builds a bit more.

Trying out a new weapon felt like a inconvenience at first, but you truly get to see how each weapon/boon combination handles different scenario better than another. For example, I primarily used the spear with an Athena/Poseidon boon combination which worked very effectively for the general mobs. However I found my DPS against bosses to be lacking. Switching over to the bow with an Artemis/Ares combination however, bosses simply melted. So it really does fall on the player to experiment in order to master each weapon and bring out its true potential.

If there is one word I can use to describe Hades, it would be refined. Maybe even polished. There is no aspect to this game that feels like it was added as filler, no element that makes me roll my eyes and curse the developers for a minor inconvenience. I cannot praise this game enough for what it is. Hades is right up there with Metal Gear Solid V and Sekiro: Shadows Die Twice as the best game I’ve played in 2020. It is smooth, it is engaging, and it is fun. And fun I believe is what matters most when it comes to a video game. Hades has that in spades.

Call it $20 very, very well spent.

Ed Note: You can buy Hades in a variety of places, including the Epic Game Store, and Steam. It’s also available on Switch, and I believe the other two consoles.

Didn’t Make the Cut – itch.io Racial Justice Bundle

All filler, no killer.

Another week, another set of games from the itch.io racial justice bundle. These are primarily games that simply didn’t get their own full article about them, either because there wasn’t really a lot to say (LAZAKNITEZ), I couldn’t play them (Troika), because I refuse to do so out of spite and dislike for the game (Oikospiel). Having said that, let’s get to the games

LAZAKNITEZ – PC/Multiplayer/Singleplayer
LAZAKNITEZ almost works for starting a trend of games with names that are nonsense words, until you boot up the game and realize that it’s just a very 90’s spelling of Laser Knights. And that’s exactly what the game is. You slide around a 2D plain, jousting on the back of your laser horse, and firing from your laser lance. I played this one for a few rounds and then put it down. It’s not bad. Just very light on things to do/see. Once I’d played a bit, and felt like I had seen most of the powerups, I was done.

Oikospiel Book 1 – PC/Singleplayer
I don’t like Oikospiel. I think that it’s stupid. It plays and looks like a fever dream made by someone who just imported every 3D model they could get their hands on into Unity and it should also probably come with an epilepsy warning.

Oikospiel is what you would get if you took Timecube and made it into a video game instead of a website. I have some questions for whoever made this game, and primarily they’re things like: “Are you okay?” and “Do you need help?”

TroikaPen and Pencil RPG
Mechanically, I didn’t see much in Troika that impressed me, but I also didn’t actually run a game. The initiative system seems neat, in which you randomly draw tiles from a bag and then whoever’s tile you drew takes a turn.

The flavor though, is incredible, and I honestly wish there was more of it. It has a very old-timey science fiction sort of vibe, and the closest thing I can think to compare it to is The League of Extraordinary Gentlemen by Alan Moore, or perhaps the sorta of weird science-magic of The Wizard of Oz.

For example: the book has stats for a sort of snake that doesn’t sneak up on you, but instead offers reassurances and a well placed “It’s alright, I’m here now” in order to get you between its coils so that it might crush and eat you. The starter adventure in the book involves convincing a sentient gas in the elevator with you that you would really like it if it could take up a bit less of the elevator, on account of the fact that it’s drowning you. The stat block for a “Tea Set” gives you a bonus on etiquette checks as long as you have time to prepare tea for the person you’re trying to impress.

The reason that Troika doesn’t get a larger section to itself is primarily that since this is a website for reviewing games, and I haven’t run a game of it yet, I can’t review it. But definitely worth a read.

Wrap-Up

Nothing this week that really jumped out at me. I loathe Oikospiel, LAZAKNITEZ reminds me of the sorts of things I’d play for 20 minutes before switching to something else on sites like Newgrounds. Troika is a fun read, but I feel like it would be tricky to pull off without a party that was really willing to lean into the weird-wonderness. If playing these games is the art of separating wheat from chaff, this week was all chaff, no wheat. Take care, and I’ll put more stuff up as events warrant.

What We’ve Been Playing – October 2020

It turns out that actually writing “reviews” for games when you’re employed full time doing something that isn’t related to video games is actually kinda hard. Who would have thought? In any case, I’m gonna try to start writing these little lists of stuff I’ve been playing, or people around me have been playing. There’s no particular order or anything to it.

For me, a large portion of last week was spent in attempted extraction of wealth in Spelunky 2. Key word is “attempted,” because more time is spent dying painfully than getting gold, gems, etc. I’d love to write a review of some sort of Spelunky, but given that I’ve only ever reached the first boss after 20 hours, I’m not sure I’d give the best feedback.

I may be switching over to Crown Trick though, another game in which you loot roguelike dungeons, albeit not in real time, and also in a different set of two dimensions. I saw the demo for this at PAX Online, loved it, and I want to love the full game more, but the “One More Run, Oh Christ It’s 1:00 AM” of Spelunky 2 has kept me from it for the moment.

In the larger demographic of “People who aren’t me,” it seems like every other person I know is playing Hades, which is apparently pretty good? I’ll see if I can cajole one of those folks to give me a write-up for it. Supergiant made Bastion which I liked, Transistor, which I own and have never played, and then Pyre which I played a demo for, and now Hades. I’m just not sure I need another rogue-lite at the moment.

In terms of co-op-esque stuff, the Genshin Impact is still impacting, and there’s some Monster Hunter World shenanigans occurring, primarily in the Iceborne DLC.

Oh, and I guess Dota 2, and MTG Arena. But, like, we’ve been playing those forever. So yeah, that’s what is currently eating our time, and hopefully we’ll have write-ups for Spelunky 2/Crown Trick/Hades later in the week.

Genshin Impact

Free to play, more expensive then a trip to Vegas if you actually want to buy anything in game.

I’ve been wanting to write about Genshin Impact, but I’ve had a hard time doing so over the last week. This is because Genshin Impact might be the highest quality free-to-play game ever made, but discussing the game without talking about the monetization model would be crazy. It’s like discussing a tiger, without mentioning the teeth or claws, and just discussing its fluffy-wuffy tail. Let’s start with that fluffy tail though.

Genshin Impact is a free to play RPG for everything except your Nintendo Switch. It has cross-play for pretty much everything, and cross-progression for everything that isn’t a PS4. You can actually close the game on your PC, then open it on your phone, and just… keep playing. The same game. From where you left it on your PC. You can do cross-play between phone, PC and PS4. It’s incredible.

And when I say RPG, I mean RPG. You’re presented with a massive world to wander around, search for treasure and do quests in. There are world bosses, and hidden secrets, and all the good stuff. Mechanically, the game borrows a massive amount from Breath of the Wild. You can just climb up mountains and hills and walls, and you also get a glider fairly early on which lets you drift around.

The combat system is also pretty neat. You build a party of 4 characters, and as long as you aren’t in a Domain (Dungeon) or combat, you can swap characters out as you wish. Each character has a weapon type, basic attack, ability, and ultimate ability, all on separate cooldowns. Each character also has an element, and elements interact in various ways. For example, if you launch an Anemo (wind) character’s ability into an area with fire on it, it will Swirl, and create a fire tornado. Put ice onto a character affected by water, or vice versa, and that character will freeze. There are about seven of these elements, and in addition, things like walking through puddles will make both you and enemies wet.

There is a day night cycle as well.

These abilities can be used outside of combat to light torches, trigger pressure plates, and do other puzzly stuff. You can even use ice attacks to freeze and then cross lakes and oceans. Theres an entire quest line that requires you to take advantage of this to get to a hidden island that doesn’t even show up on the map.

Moments like this are Genshin Impact at its best. When you’re just running around, fighting monsters, climbing terrain, and discovering things, you might even forget you’re playing a free to play game, and if I had any gripes with the game as it is, it would most likely be that the climbing behavior can occasionally be a bit funky. You can climb all over every mountain, and every hill in the game, and there is treasure everywhere. Every mountain top has hidden collectibles, there are puzzles in every cave.

Okay, so now lets talk about the bad part.

If the moment to moment gameplay of Genshin Impact is Breath of the Wild, the meat of the game’s advancement system is classic mobile gacha. If you’ve ever played Puzzles and Dragons, Azur Lane, Fate Grand Order, or Dragalia Lost, you’ve seen this sort of thing before. You have Resin (Energy) which recharges over time and is used to collect treasure from world bosses and dungeons. These include advancement materials that are used to increase the max level of your characters and weapons, books that are used to upgrade their talents, and artifacts that can slotted in to give set bonuses, and extra stats.

You can spend in game currency to refill your energy, and honestly, as frustrated as some people are by Resin, I don’t take too much issue with it.

What I do take issue with is the drop rates and costs of the Wish system, the system by which you get new characters, and most of the higher rarity weapons. I refuse to call these micro-transactions, because there is nothing fucking micro about them.

ONE roll of the Wish system is 160 Primogems/Genesis Crystals. A SINGLE ROLL.

These are the prices, and after you buy the first time bonus, they change to this.

$Primogems / # of Rolls
0.9960 / .33
4.99330 / 1.83
14.991090 / 6.06
29.992240 / 12.44
49.993880 / 21.56
99.998080 / 44.89

So if you’re looking at this, and thinking, “This seems a bit expensive,” then yeah. It fucking is. But here comes the kicker: the drop rates are AWFUL.

The Wish system in Genshin has multiple different tables you can choose to roll against, usually called banners. For the featured character in a banner, the drop rate is 0.6%, or 3/500. The drop rate for an weapon OR character of the highest rarity is 1.6% total, or 2/125.

Ed Note: I think fractions do a better job illustrating how low this is, which is why I’ve included them here.

Keep in mind, a single roll costs $2.20 at its cheapest, if you buy the $100 currency pack. This gets you just over 44 rolls.

There’s also a pity system in place in which if you haven’t gotten a weapon/character of max rarity after 90 rolls, you will be given one. I want to point out that the real money cost of 90 rolls is just under $200. At this point, if you’re rolling on a featured banner, you will have a 50% chance to get the featured character. If you don’t, you’ll be guaranteed to get them at the next pity roll. Which means at this point, you’ll have to have spent over $400.

TLDR: If you want a FEATURED character in Genshin Impact, they can end up costing you $400 for a single copy of the character. In addition, the game has system by which characters are powered up for each duplicate you get of them. So getting a character to their max potential requires you to get receive them 6 times.

So yeah. That’s the state of Genshin Impact as of today, an incredible free to play game that is unmatched by anything on the market, with what I’m going to call “Macro-Transactions” that can easily total the same price of a new PS5 to get a single character. Play it. Enjoy the story, the anime bullshit, and the voice acting. Explore the incredible world, scouring every nook and cranny for treasure, and climbing every mountain.

But please don’t spend money on it.