Tag: VideoGamesWeLike

This article has been rewritten multiple times. After playing 5 hours of Phasmaphobia, my conclusion was, “I hate it, and it’s buggy, dumb and boring.” I’ve now played 20 hours, and as you might guess I no longer hate it. That said, I have some problems with it. In brief, Phasmaphobia is fun to play with friends, but many of the mechanics are unintuitive (Wiki Ahoy!) and the game is still buggy. For right now, I’d only say it’s worth getting if you have a group of people to play it with.

Phasmaphobia is a ghost hunting game, except it follows more of a lite-simulation route than a gamey experience. You and up to 3 other people go out to a haunted location. Once there, you use the equipment you brought with you to try and find the ghost, and determine what type of ghost it is. You do this by walking around real slowly in a traditional first person view.

The equipment itself is all “traditional” ghost hunting equipment, such as EMF detectors, thermometers, cameras, sound sensors, and spirit boxes. There are also a variety of other things, such as crucifixes, salt, flashlights, smudging sticks, and ghost books.

One thing to keep in mind is that not all ghosts respond the same way to all stimuli: e.g., some types will drop temperatures to freezing, while others won’t. Some are more active if multiple players are around, and some are not. Some give off EMF readings, and some just don’t. The main gameplay loop is to try to determine which type of ghost you’re dealing with based on the reactions you get from your equipment.

Between missions, you level up from surviving, and acquire cash based on your performance, taking photos of the ghost, and some other bonus objectives. This allows you to buy more equipment to hunt the ghost in the future. Equipment isn’t lost if you drop it/lose it, but it is lost if you die during the mission. While I think this could become annoying, I haven’t acquired enough cash for it to become a problem. Some of the other random players I played with though mentioned it frustrated them, and another mentioned that the “strat” is to have one person buy all the equipment, and then stay in the van, so you can’t lose anything.

Oh, and you can play Phasmaphobia in VR.

I can’t group my problems with Phasmaphobia into one big overarching chunk or theme, so I’m just gonna list off everything about the game that annoys me.

Ed Note: I’ve edited the original version of this list. The list is accurate to my experience of playing the game, but I’ve updated various points with more information.

1. The game has all the thrills and excitement of real life ghost hunting, which is to say none whatsoever. I don’t know who thinks wandering around a big ass building with all the lights off and waiting for something to happen is interesting. It really isn’t. If you’ve ever watched a ghost hunting show of some sort, you have seen the primary experience of Phasmaphobia, which is a bunch of folks wandering around a dark building, shouting things out, and then getting scared when the floorboard creaks. And because not every single type of ghost reacts to every type of equipment, and the limited inventory slots, it is entirely possible to search the entire building, and not find the ghost, and then have to go back and grab more equipment. UPDATE: While this is true at the lower difficulties, it’s much less true on larger maps, and higher difficulties where the ghost can begin hunting you much faster. The bit about equipment is also not true, as with more players and a strong plan of attack, you can sweep faster and move quicker.
2. The controls are miserable. With mouse and keyboard, the ability to pick up and manipulate things feels extremely limited, and makes it very frustrating to do things like get cameras in good positions. I don’t actually know how to even light a candle in non-VR, since you can’t have a lighter and a candle out at the same time; you can only have one thing in your hand. UPDATE: You need to have the smudge stick out and press F while the lighter is in your inventory. You can also light them by using the lighter on a dropped smudge stick.
3. The VR has one of the single worst movement implementations that I’ve ever seen in a VR game, and commits the number one sin of VR camera movement: You DO NOT have the player move in a way where the in-game camera moves, and the real life player stays still. This is how you make people sick. And this is exactly how Phasmaphobia does it. I wasn’t able to complete a single round before having to take off my headset and lie down for like 15 minutes, making Phasmaphobia the first VR game I’ve played to make me feel ill.
4. The VR controls suck. This one honestly might be because I’m using a Vive, but the VR controls use the thumbpads for movement, and this includes just touching the thumbpads, not actually pressing on them. Every time I did so, the game started spinning me around or lurching me forward. I found it insanely frustrating. If you’re thinking “Well, just don’t touch the thumbpads,” I’d like to point out that you have to be able to move around, and in addition, because of the way you grip the controllers, you will almost always be touching the thumbpads.
5. The game is buggy. If you try to load into a game, and the game doesn’t let everyone from your lobby load in, you’re gonna have to restart the game, and remake the whole lobby. Same thing could be said for the voice recognition. It’s cool, but it doesn’t always seem to actually, well, work. There isn’t really physics for any of the objects, and I’ve had situations where ghost types that are supposed to create freezing temperatures just… don’t. I’ve had situations where I can go into the building, shout myself blue in the face about the ghost, and have nothing happen. The second my two friends walk in, the ghost shows up, locks the building, and strangles one of them to death. This is for ghosts that the guide tells us are “Shy, and will only react to one person”. UPDATE: I’d say that some of this is still true, but the game has gotten updates that have made some things show up easier, and I’ve had less instances of crashes when attempting to load in. Generally speaking, the game feels much less clunky, but it also might partly be I know what I’m doing at this point.

So here’s the thing. Despite that above, I’m still playing and enjoying Phasmaphobia, but I feel like at least to an extent, it’s because I have a solid group of 2-3 other people to play with. Strategizing, planning, and looking for clues cooperatively is a really neat experience when it works the way it should, and the game is still fairly challenging for us with the larger maps. With that said, there are also still issues. Taking pictures of ghosts is incredibly hit or miss, running away from ghosts and hiding is kinda “eh”, and I honestly have no idea how crucifixes are supposed to work.

For the $14 cost of the game, I’d buy Phasmaphobia as long as I had a group of people to play it with, but if I was going in solo, I’d probably pass.

Let me preface this by saying two things: I’ve never enjoyed any of the roguelike/rogue-lite games I’ve ever tried and I’m also an extremely cheap person.

In the past I’ve tried games like Enter the Gungeon, Risk of Rain 2, and Immortal Redneck and just never enjoyed them. It might have been the lack of an interesting narrative, or of gameplay that really grabbed me. It’s also hard to justify spending $10+ dollars on these games when I could purchase other games I knew I’d like. So despite trying the aforementioned titles for a bit, I always ended up refunding them. Perhaps playing them for a bit longer might have changed my opinion about the games, but I don’t like forcing myself to try to have fun.

I’d been struggling to find a new game that I could put a good chunk of time into for about six to eight months. I’d end up in a loop of playing PUBG, Halo MCC, Valorant, and the occasional spree modding Skyrim, playing it for a bit, then forgetting about it. This was the loop I wanted to break free from.

Fast forward to September. I open up Steam, and a banner for Hades pops up. \ Greek mythology, fantastic artwork, soundtrack seems like a banger from the trailers, and “Overwhelmingly Positive” reviews galore! This looks like a great game! The trailer has me sold until one word pops up: roguelike.

Well, shit. It can’t be that bad right?

So I buy it, play it, die at the first boss, and refund it.

That could have been the end of it. But it wasn’t. I couldn’t get this game out of my head, (mostly because Steam kept slapping the banner in my face). So twenty-four hours after I returned it, I purchased it again, and decided to give it another shot. I’d just play it once more, I thought.

And then I didn’t stop.

The story of Hades is told through the interactions between the protagonist, Zagreus, the son of Hades, and those he meets along the way as he attempts to escape his father’s domain of the Greek Underworld. He has some, um, daddy issues and he would like to run away to Olympus. Yep, that’s basically the premise without any spoilers. Despite what my crappy synopsis might imply, the characters and story are complex and rich. Every character interaction either adds to the story, allows for character development, and/or is just plain funny. It’s exciting when you see a dialogue bubble pop up, informing you that someone has something new to say. The characters all have their own personalities, from the residents of the Underworld who want to keep Zagreus locked up, to the Olympian gods themselves, who are keen to see their nephew leave the Underworld and his father behind and ascend to Olympus. The voice acting is on point; as Yahtzee put it in his review, every character seems to be voiced by someone incredibly sexy in real life or an actor in a Bond movie.

The combat is incredibly smooth, responsive, varied, and so much fun. There are six weapons for you to choose from, once they are unlocked, and each comes with a unique play style and upgrades. Add to that the various “boons”, or power ups, presented by the Olympian gods and you have an incredible variety of builds you can use on any given run.

Each time you beat the game, you can increase the difficulty of your next run to not only be more challenging, but also increase the rewards you receive upon completing it. I found myself tinkering with different boons, weapons, upgrades, and difficulty modifiers a lot, with no intention of beating the game but just to see how viable the build would be.

Of course, doing so meant that I died, a lot.

Once you die, you show up at the House of Hades to be reprimanded by the God of Death himself, telling you that there is no escape. Eh, whatever daddy-o. All the resources that Zagreus gathered in the past run stay with him upon death, which you can use to increase his powers and abilities. This added RPG element ensures that you feel more powerful, more prepared for the next run. In addition, there are mini-story progressions and additional unlocked dialogues, even in death, which provides a small sense of advancement even in failure.

For all the praises that I’m rightfully singing for Hades, I wouldn’t call it perfect. The biggest issue I had was that once I found a working combination of weapon, boons, and upgrades, I found it fairly easy to beat the game by aiming to collect those boons and weapons. After my fifth or sixth run with the same build, it started to feel stale for me. Now this is partly own fault; I didn’t feel like trying to break out of a working formula, but I wished the game tried to encourage switching up builds a bit more.

Trying out a new weapon felt like a inconvenience at first, but you truly get to see how each weapon/boon combination handles different scenario better than another. For example, I primarily used the spear with an Athena/Poseidon boon combination which worked very effectively for the general mobs. However I found my DPS against bosses to be lacking. Switching over to the bow with an Artemis/Ares combination however, bosses simply melted. So it really does fall on the player to experiment in order to master each weapon and bring out its true potential.

If there is one word I can use to describe Hades, it would be refined. Maybe even polished. There is no aspect to this game that feels like it was added as filler, no element that makes me roll my eyes and curse the developers for a minor inconvenience. I cannot praise this game enough for what it is. Hades is right up there with Metal Gear Solid V and Sekiro: Shadows Die Twice as the best game I’ve played in 2020. It is smooth, it is engaging, and it is fun. And fun I believe is what matters most when it comes to a video game. Hades has that in spades.

Call it $20 very, very well spent.

Ed Note: You can buy Hades in a variety of places, including the Epic Game Store, and Steam. It’s also available on Switch, and I believe the other two consoles.

I’ve played a shit ton of Dead by Daylight over the last few weeks, and I really like it. If you’re familiar with the game, but haven’t really given it a chance because of the horror theme, I’d encourage you to check it out.

So what is Dead by Daylight? Well, it’s a 4v1 asymmetric hunt. If you don’t know the genre, that’s fine, because I can’t come up with one either. Maybe I’ll come up with a better descriptor by the time I finish writing this article. Maybe not. The point is, it’s one of very few games I’ve chosen to play instead of Dota 2. It’s sorta perpetually competitive, and also a game I’d like to get better at.

Before we dive into the game itself, I do wanna get my two main gripes with it out of the way. First of all, the game has a shit ton of DLC. Buying the base game at $20 gives you five out of the twenty one playable killer characters, and six or so of the twenty-three survivors. I’m mostly just going to look at killers for the sake of simplicity here, but of the remaining sixteen killers currently in the game, seven are permanently pay walled, as they are licensed characters from other horror franchises. The others can theoretically be unlocked by grinding. At about 90 hours played, I think I’ve earned enough currency to unlock… 2 other killers. So yeah. The time to unlock ratio ain’t great. Also, on their own, killers and survivors are $5 each, and you can buy packs of specific ones for $7.

Editors Note: I’m pretty sure I counted right for the killers here, but I may have miscounted the survivors. Point is, there’s a lot of DLC if you actually want to play all the characters.

Second main gripe would be this: The game can be buggy as all hell. When I mentioned bugs in my last review for OddRealm, I mentioned them because while they were rare, they were game breaking. In Dead By Daylight, the reverse is kinda true. I’ve seen only one bug that actually ruins games (a piece of level geometry that you can clip into, and get stuck in). With that said, 7/10 times, your pre-made animations will clip the camera into a wall. You will hook survivors onto empty air. Mostly stuff like this.

So now that those two things are out of the way, lets talk about the actual gameplay. Like I mentioned, it’s a 4v1 hunt. One player plays the killer, and four players play survivors. (You do get to pick which role you want to queue for before starting a game.)

The games take place in semi-randomly generated maps, with each side having a different set of goals. Survivors have to repair five generators, and then open an escape door in order to get out. They do this by interacting with the generators, and completing quick time events to continue the repairs. Killers need to (surprise, surprise) kill the survivors, which they do by inflicting damage until the survivors are downed, and then hanging the survivors on giant meat hooks so a spider god can try to eat them. Survivors can still save their friends from hooks, but it’s always possible the killer is nearby.

While this sounds simple, it’s made markedly more complex by the variety of game mechanics, perks, items and other factors in play, as well as the fact that regardless of which role you choose to play, you will be facing off against other humans. If you trick someone, it’s because you outsmarted them, not because the game let you.

Here’s just one example of a mechanic in the game that’s quite interesting, and it’s also why I wouldn’t consider the game to be a horror game: The Terror Radius. You know how in horror movies, the tense music plays as the murderer gets closer to our unsuspecting victim? Well, Dead By Daylight has something similar. You can actually hear the killer approaching, which means while they mostly can’t sneak up on you. Of course, they do have perks and options to lessen, or even temporarily hide their radius, so you’ll still have to pay attention.

And there are a bunch of mechanics like this. Killers have a first person point of view, but survivors have third person, and can use it to see around corners and over walls. At the same time, Killers move faster then Survivors, so without careful play, Killers will always win chases.

I could go on, and just list out mechanics, but I’m not sure it would sell anyone on the game, or it would help explain why the game is so compelling. What I will say is that Dead By Daylight has one of the best ratios of money/time spent in game of anything I’ve played this year.